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Witchtrap (AKA – The Presence / The Haunted): before leasing out his family home, a warlock’s son calls in some parapsychologists to rid the house of evil spirits. For a low-budget late 80s B-movie the video and audio transfer are better than some of the bigger studio pictures from this period. The audio track – which was botched on the movie set – is particularly clear as every line and effect had to be re-recorded in post. The film itself is of a fantastically cheesy vintage; it went from inception to ready-to-shoot in under a week, so the plot is mechanical, (seven people enter a house – fewer leave) and the dialogue is massively overripe, but in a fun, corny way… and it’s not helped by the ‘detached’ ADR performances. Characters are all fairly stock, and are championed by a John McLean-style wisecracking hardboiled detective, who is – in all honesty – way too cool for this type of movie, but his constant jabbering helps the film remain on your good side. For the first few deaths it feels like the movie is wimping out of showing maximum gore, but the final act throws in a lot of blood and over-the-top kills, including an unusually long and graphic shooting and a monster melting sequence. It’s also surprisingly well directed; with slow and ominous camerawork (paired with an equally doom-laden soundtrack), plenty jumpscares, and some technical/dolly shots that you don’t usually get in this type of film. The new Blu Ray release is the first uncut/unrated version; it also boasts a heap of extras including an honest & interesting interview with the director. Nothing about Witchtrap is exceptional or original, but it’s better made, more entertaining, and as nostalgic as any other film in this genre. (Linnea Quigley also gets her waps out!)

Score: 5/10
B-movie Score: 7/10

BReaking BAd logo periodic table yellow meth smoke teeth effectPhoto Credit:  Ben Leuner/AMCBReaking BAd (Season 3): picks up soon after the explosive Season 2 finale, Walter and Jessie’s operation keeps growing, but is attracting yet more interest from the feds and rival gangs. By the time S3 had started we’d seen the ups and downs of the Walter-Jessie relationship several times, this season was – for me – the first time that another relationship became more interesting; Walter and Gus – which ranges from courteous & professional to explosively volatile – you also get the feeling that Walt has finally met his match, as Gus puts the squeeze on him, and the people he cares about. It’s definitely the best source of drama in this season. After Walt comes clean with Skyler their relationship also changes significantly, yet, not exactly in the direction you’d expect. Because so much emphasis is put on characters, family and relationships it takes over four episodes (of only thirteen) for any real plot to happen, and the only tension comes from the two silent cousin gang bangers. I find it fascinating in America that Breaking Bad depicts in-depth drug making techniques, drug use + abuse, violence, a man’s head being crushed by an ATM machine… but the word ‘fuck’ is bleeped out. Season three has some of the best moments (Car Park, Ladder confession, finale) in the series so far… yet it’s also got some of the slowest, most plodding and outright bizarre episodes (‘Fly’ episode feels out-of-place, and Walter – for the first time – appears ridiculously simple). The most defining feature of Breaking Bad is that it all still feels relatively normal and realistic – you believe in the characters, their families, their lives, their roles. You know people like these. That’s still the show’s strongest suit, but after 3 seasons it’s hard to see how much longer it can rely on character development over drama.

Score: 7/10

Breaking Bad Season 3 Sunset Cousins Gus Carpark Shootout HankSaul Goodman ITS ALL GOOD MAN Better Call Saul SE HABLO ESPANO