Tenebrae (Unsane): the author of a string of successful-but-violent novels goes to promote his latest book in Rome, but someone is stalking and killing his fans & entourage. From the opening scene this is like watching the essence of the 1980s – it’s all very stylish, with flashy direction, bold wardrobes, striking locations, and modelesque actors. Most impressively, there’s a lot of impeccable camerawork – like a completely unnecessary, but nonetheless beautiful, elongated single-take crane shot (with Bonus double-kill!!) that circles a building for minutes. It’s also one of the most bright and colourful slashers you’ll ever see, with phenomenal lighting and particularly eye-popping greens and reds. The soundtrack is dominated by a catchy synth rock earworm, which may sound familiar as it was more recently sampled by Justice (original by Goblin.) It’ feels smarter and better planned than most other slashers as it sets everyone up as a potential suspect, then slowly kills them off one by one, ending on a stunning finale with around 10 minutes of sustained blood, gore, and multiple plot twists – which plays out like a precursor to later and more aware horror films like Scream. Other than being almost exclusively suspiciously sexualised nudey babes that are being butchered right left and center there isn’t much to complain about here. Tenebre sees a visionary Italian (and Horror) auteur crafting one of his most mainstream movies – a dual language whodunnit – at the height of his notoriety. A truly classic and top-drawer horror / giallo film that’s a crimson blueprint for subsequent slashers; it’s still great fun to watch, and easy to admire.
Game of Thrones (Season 1): several noble families with royal ties feud over the right to rule all seven kingdoms in a medieval-ish fantasy epic. One year prior, Spartacus was balls deep in rumpy–pumpy and graphic violence, which felt like it was pushing boundaries; then someone in HBO said had said: “lets take Spartacus as a starting point, then add as much over the top sensational stuff as you can. 3, 2, 1… GO GO GO!” GoT is loaded with full frontal nudity (sausages, chuffs, and udders), blood, gore, prostitutes, lesbians, and as much offensive language as censors allow; not to mention the taboos like breastfeeding and incest being pretty major plot points. Whilst these add to the show’s notoriety, it detracts from the Rome-like inter-weaving political storylines; continually reminding you that it’s actually being pitched at teenage boys. Other than the odd stinker (Arya Stark!!) the cast are generally decent; although different characters giving their roles different levity levels – from scenery chewing (King) to borderline comedic (Bronn). Peter Dinklage is the one actor that really sticks out from the vast ensemble – impressing and entertaining with his larger than life character. Due to the number of characters, families, locations and concurrent plots there’s a lot of dialogue-heavy slapdash whistle-stop history & exposition lectures between characters – some hit the mark better than others, but most are required. While there’s one big “Holy Shit” moment, Season One feels like a 10-hour teaser – promising better things to come; introducing white walkers (zombie-ish creatures), dragons, teeing up a war – but blatantly not following any of it through to anywhere near conclusion.
Dexter (Season 1): Miami’s top blood-splatter expert has a nice little hobby of dispensing the city of its criminals that the justice system spits back out. I know it’s the first season and everything needs to be established, but there’s no need for the dialogue (and lazy voiceovers) to be this wincingly bad: “This box is like me, completely empty,” “if I had a heart, it would be breaking…” WE GET IT, You’re an emotionless sociopath! THIS IS THE PREMISE OF THE SHOW – DUH!!! Dexter’s (Michael C Hall) acting is also good, or bad, enough (hard to tell when he’s playing a psycho) to convince us he is truly cold, and always trying to act normal. Plot-wise, the bigger “ice Truck Killer” story is far more interesting than the scumbag of the week episodes, however they do reinforce, and slowly let you see Dexter’s M.O. which is interesting to watch. Dexter Season 1 has some good watching in it; and features TVs smoothest asexual, and most supportable vigilante.