Cobra: Marion Cobretti – essentially a paramilitary policeman – comes across his scummiest scumbag yet, but he believes this is more than just a one-off. This is a spin-off from when Stallone walked away from Beverly Hills Cop to make something more violent! It’s essentially an ‘Arnie Film’ but with a different star, and more than most of the Arnie movies around this era, this has a really nasty streak through it – the baddies are a fairly nihilistic, ruthless bunch working under the name “Night Slasher” – although their back-story & motives could have done with fleshing out. Stallone’s Cobretti is unnecessarily cool – Car, Shades, clothes, attitude – it’s laughable at times, but Sly always does this. The action scenes are all pretty good – including a superb car chase that feels straight out of the Fast franchise, a lot of shooting, a boss fight in a suitably 1980s industrial setting (a foundry) and even a cheeky homage to the Shining’s famous door-smashing scene. There’s also flakes of social commentary (particularly the failing justice system), and an under-appreciated ‘anti Christmas movie’ vibe throughout. While Cobra is absolutely nothing new, it’s all fairly enjoyable if you appreciate cheese, big action, and lots of hard-18 violence – although if it does require subtitles to comprehend Sly.
Rumble in the Bronx: whilst visiting his uncle in New York, Keong fom Hong Kong finds himself in the crosshairs of several gangs. The premise is basic (like the far East’s rebuttal to Black Rain – the West is full of uncivilized, violent punks!), the plot twists are silly and the acting’s borderline woeful, but this film has Jackie Chan; and an on form Jackie Chan of that! The action set pieces are still among the best you can find today; the shop fight, back alley fight, car park chase, and the superb gang den fight… action doesn’t get any better than this: strength, acrobatic skills, timing, planning, intuitive use of space & objects – it’s almost unbelievable. I could genuinely watch these scenes on loop all day and never get bored. The biggest stunts have a timeless jaw-dropping quality, mostly because they’re real and well-edited: you want to pull down a building? Lets build one to demolish! You want a hovercraft/car chase scene? Lets make it happen on real streets! Jackie Chan jumping a large gap between to 10-storey buildings? CGI boring and waste of money! Above the eye-blasting stuntwork there’s a lot of camera-friendly graffiti, clothes, cars, buildings and other such eye candy. There’s a couple of bizarre slapstick scenes that stick out like sore thumbs, but other than that, it’s all gravy. Sure it will never be on a Criterion or AFI “best films of all time” list, but Rumble in the Bronx is entertainment in one of its most pure and watchable forms, and they just don’t make ’em like this any more.