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Enter the Void 1 - Nathaniel Brown, Paz de la Huerta, Cyril Roy, Ed Spear, Gaspar Noé

Enter The Void: follows the final hours, afterlife, and reincarnation of a low-level drug pusher in neon-drenched Tokyo. If you’re unfamiliar with Gaspar Noe, you’ll learn pretty quickly that his film’s aren’t merely ‘movies’ or ‘stories’, but full-on immersive experiences – unique, ambitious, and experimental. The first, and second, minutes feel like 12-rounds with Tyson – click to see for yourself. if you can’t handle that, don’t go anywhere near Enter The Void. Everything ‘Noe’ is in here – long takes, disorienting audio and visuals, brutal and challenging scenes & stories, non-linear storytelling; not to mention explicit / sensational / controversial subject matter. Halfway through the runtime we get a recap of the beginning, and from then on the film seems to lose its way – filling the time with elongated CGI trips and floaty filler, overstaying its welcome, and pushing the viewers further and further from the story, until the final ten minutes, which is just gratuitous shagging, blowjobs, and cunni for no real reason (it did explain why I could only get this as a German import – classic Germany), topping out with a POV (Point-of-Vagina!) money shot. I don’t say this often, but there were waaaaay more nudity than required in this!! Technically it’s jaw-dropping and mind-boggling: the camera glides in / through / over any objects so fluidly – yet these astonishing feats are countered by overlong sequences of trippy, psychedelic, CGI visuals – one thing’s for sure, there’s no faulting Noe’s commitment to his vision. At just under three hours, this is simply far too long – there’s a stunning 80-100 minute film in here. Enter The Void is both immersive and repulsive: a well-realised idea, centred around an average story, with a divisive final hour, and trainwreck final 10 minutes… all told through an exciting, cinematic, and truly unique out-of-body experience that no other director would even dare to take on. I’m split right down the middle.

Score: 5/10

Enter The Void 2 - Nathaniel Brown, Paz de la Huerta, Cyril Roy, Ed Spear, Gaspar Noé Enter The Void 3 - Nathaniel Brown, Paz de la Huerta, Cyril Roy, Ed Spear, Gaspar Noé

Boardwalk Empire (Season 1): 1920s prohibition drama mostly following the racketeer Enoch Thompson, who controlled Atlantic City. There are lots, and lots of factions and institutions interacting with each other, not to mention around a dozen well-rounded, complex characters. It’s extremely well-cast; nobody stands out as being too little or too much, and with this many characters, they’re all physically distinguishable – a great job from the casting team. There are too many outstanding performances to mention in this cast of accomplshed actors, but I felt most sorry for Michael Shannon who does a magnificent job with the hardest character, a Prohibition Agent of extreme (almost comedic) faith and morals… Shea Whigam as Sherriff Eli Thompson also impresses with unbelievably great acting, and Jack Huston is superb as a ruined, deformed WWI vet. There’s an impressive level of throwaway period detail in the background, costumes, homes and through conversation. The visual effects to recreate the era are also impressive, and when tag-teamed with some brilliant old-fashioned music/entertainment it’s a solid nostalgia trip. Strangely, there’s an outrageously high level of gratuitous nudity for such a solid TV show, somewhat unnecessary, but hey, I ain’t complaining. This isn’t dip-in / dip-out TV, nor is it for the easily offended or faint hearted – it’s graphic, there’s adultery, sex, debauchery, racism, religion… and that’s just for starters. Boardwalk Empire is entertaining, dramatic, funny, and fascinating for the duration, and never really puts a foot wrong. Must see TV.

Score: 9/10