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Jonah Hill, Channing Tatum, Peter Stormare, Ice Cube, Amber Stevens, Wyatt Russell, Jillian Bell, Jimmy Tatro, Nick Offerman, Dave Franco, Rob Riggle, 23 Jump Street: Medical School, 24 Jump Street: Foreign Exchange, 25 Jump Street: Semester at Sea, 26 Jump Street: Arts School, 27 Jump Street: Culinary School, 28 Jump Street: Veterinary School, 29 Jump Street: Sunday School, 30 Jump Street: Flight Academy, 31 Jump Street: Ninja Academy, 32 Jump Street: Fireman Academy, 33 Jump Street: Generations, 34 Jump Street: Return of the Ghost, 35 Jump Street: Traffic School, 36 Jump Street: Military School, 37 Jump Street: Scuba Class, 38 Jump Street: Dance Academy, 39 Jump Street: The Electronic Game, 40 Jump Street: The Retirement Home, 41 Jump Street: Magic School, 42 Jump Street: Beauty School, 43 Jump Street: Mariachi School, 2121 Jump Street

22 Jump Street: when a newer drug (WhyPhy) appears at a college campus, so the dream team must go back undercover to infiltrate and take down the operation. I’d say this is hands-down better, and more consistently funny than the original (which was a great comedy film); playing with the familiar College/Frat and Buddy Cop genres; but having that extra cushion of self-referential jokes about 21 Jump Street in there too – of which there are plenty. As pointed out early by Ice Cube, it sticks rigidly to the structure of the first movie – but can afford to do so because of the great script, absolutely solid comedic timing from the central characters, and a strong ensemble cast. It also contains a fantastic tongue-in-cheek end credits sequence. 22 Jump Street is exactly more of the same, but when the original is so funny, is that really a bad thing?

Score: 8/10

 

Spectre Mask Mexico Festival Street Party Daniel Craig, Christoph Waltz, Léa Seydoux, Ben Whishaw, Naomie Harris, Dave Bautista, Andrew Scott, Monica Bellucci, Ralph Fiennes, Rory Kinnear, Jesper Christensen,

Spectre [Plot Spoilers]: a posthumous video from ‘old’ M sends 007 into the belly of the beast; going after the head of the global criminal super-organisation SPECTRE: Special Executive for Counter-intelligence, Terrorism, Revenge and Extortion.

This starts with a beautifully choreographed long single-take; moving from the sky, down through crows, up an elevator, through some rooms, and over rooftops. The pre-credits mission ends with an overlong and confusing shaky-cam helicopter set piece; the Greengrass-style shaky-cam style of which spoils much of the subsequent action – which is defined by big, loud, turned-up-to eleventy-stupid explosions right, left, and centre.

Spectre Choppah Helicopter Mexico Daniel Craig, Christoph Waltz, Léa Seydoux, Ben Whishaw, Naomie Harris, Dave Bautista, Andrew Scott, Monica Bellucci, Ralph Fiennes, Rory Kinnear, Jesper Christensen

After the initial setup, the film immediately starts throwing up a lot of overly familiar scenes; fortress on a snow-covered mountain top, Austrian forest chase, train fight with a brutish henchman, inviting Bond in to the secret lair before he escaped and blows the place up, scars, cats, exploding watches, Aston Martin gadgets, London chases… it feels like a rejected script for the 50th Anniversary film; that half-assedly tries to tie the last three movies together and leans on the aforementioned ‘classic Bond’ moments, ‘jumping the shark’, and even doing stuff that’s been parodied in Austin Powers – including drinking and advertising Heineken.

Spectre Meeting Broken Lights Daniel Craig, Christoph Waltz, Léa Seydoux, Ben Whishaw, Naomie Harris, Dave Bautista, Andrew Scott, Monica Bellucci, Ralph Fiennes, Rory Kinnear, Jesper Christensen

Going back to the old mould of ‘classic Bond’ the film also contains a higher level of silliness than the rest of the post-Casino Royal reboot movies: from out of nowhere Blofeld and Bond grew up together? Even bringing back a campy evil genius like Blofeld (who was in a handful of the early Bond films) feels like a strange villain choice; especially following after Javier Bardem‘s demented Skyfall performance. The dodgy science of drilling in to precise parts of the brain that contain memories / facial recognition / balance also feels ridiculous.

Spectre Widow Daniel Craig, Christoph Waltz, Léa Seydoux, Ben Whishaw, Naomie Harris, Dave Bautista, Andrew Scott, Monica Bellucci, Ralph Fiennes, Rory Kinnear, Jesper Christensen,

While Craig continues his streak of gritty and remorseful Bond, pretty much everyone else feels under-used: Waltz is only in about 20 mins of the movie, and he doesn’t look remotely interested – I can only imagine it’s because he’ll be in the next few movies too? Monica Bellucci (not even a proper femme fatale) is in two back-to-back scenes, and Dave Bautista (silent but violent – OddJaws) gets a couple of frenetically shot action scenes and one word to say. Bond Girl Léa Seydoux starts off promising; but soon turns into the generic helpless love interest. in On the flipside M and Q get slightly more screen time and even a bit of action in the field.

Spectre Car Chase Astin Martin Jaguar Rome Daniel Craig, Christoph Waltz, Léa Seydoux, Ben Whishaw, Naomie Harris, Dave Bautista, Andrew Scott, Monica Bellucci, Ralph Fiennes, Rory Kinnear, Jesper Christensen

Of course, not everything about the old movies are bad: there’s more tongue in cheek moments, a better script for quips, one-liners, and wordplay (“I guess we know what C stands for now… Careless“). There’s also more of a throwback vibe of escapism and glamour, which somewhat po faced Casino and Quantum films were missing – every shot looks like Bond and the Bond Girl are straight off a GQ cover. Although this goes a little too far with the cheesy ending, and the fact that there’s very little believable threat to Bond and his breakaway MI6 team.

Spectre Blofeld Daniel Craig, Christoph Waltz, Léa Seydoux, Ben Whishaw, Naomie Harris, Dave Bautista, Andrew Scott, Monica Bellucci, Ralph Fiennes, Rory Kinnear, Jesper Christensen,

Skyfall and its focus on Bond would always be a tough film to follow; and switching the focus to big names, big story, big locations, big explosions and bigger budget – Spectre doesn’t come close. Being one of the most expensive films ever made (but it’s not that obvious) this had to tick all of the constituent boxes of a ‘classic’ and safe Bond film. Although the surface is presented as the new Post-Bourne reboot Bond (nanotech, drones, cybersecurity) everything under the bonnet is straight outta the 1960s/1970s. Joe Public and those that grew up with the first 15 or so movies will love this because it’s a familiar romp, but I feel that more recent and more hardcore fans of the franchise will be let down by a fairly profunctory and borderline cynical by-the-numbers Bond outing.

Score: 5.5/10

TOP TRUMPS
Villain: Information-hoarding new-age Blofeld. Like Elliot carver after a funectomy – 3
Henchman: Goatee’d Hinx; somewhere between Oddjob and Jaws – 4
Bond Girls: Two-scene widow; and slightly less ridiculous Christmas Jones – 6
Action: Mexican Helicopters / Rome Car Chase / Austrian Forest / Desert Shoot-em-up / London Bombing – 7

Spectre Ring Octopus Daniel Craig, Christoph Waltz, Léa Seydoux, Ben Whishaw, Naomie Harris, Dave Bautista, Andrew Scott, Monica Bellucci, Ralph Fiennes, Rory Kinnear, Jesper Christensen

JAPANORAMA - SF WASABI RICE BANNERJAPANORAMA Jiro Dreams of Sushi,  Sukiyabashi Jiro, JAPANORAMA Jiro Dreams of Sushi - Sushi Pieces, Roppongi Hills, Jiro Ono, Yoshikazu Ono

Jiro dreams of Sushi: documentary exploring the life of 85-year-old sushi master and his modest, Michelin 3-star restaurant. Being the titular character, it is mostly centered around Jiro, who is an intriguing person with an admirable lifelong passion & pursuit to continually improve and create sushi dishes that get as close to perfection as possible. It’s interesting that his suppliers also had an emphasis on mastering their craft and techniques. We see Jiro as a worker, businessman and parent – although you couldn’t help but feel for the elder son, having such a great legacy towering over him, and such large geta shoes to fill! Some of the shots are absolutely sushi-porn, if you have a taste for the stuff there’s no way you’ll survive this without an appetite by the end – more generally, the whole film’s well shot with some nice use of tilt-shift/time-lapse etc to break up the indoor interviews. What’s more interesting than the sushi aspect is the insight into Japanese traditions (like eldest son stepping up to father’s job) and general work ethic and wisdom of someone with a lifetime of experience. We see a lot of scaling, peeling, slicing, gutting, massaging, pasting… for something that simple, it’s intriguing to see how much work, thought and preparation goes in to it. Jiro Dreams of Sushi is a really good documentary, but it never really goes anywhere due to he micro nature of the subject – he opens talking about striving for perfection, and closes in a similar manner.

Score: 7/10

JAPANORAMA Jiro Dreams of Sushi - Sushi Pieces, Roppongi Hills, Jiro Ono, Yoshikazu Ono