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Goliath: a formerly great (now-down-and-out) lawyer lands a case against his old firm and their biggest client; but his life suddenly takes a turn for the even worse. While the premise is nothing new or original, this is elevated by having a horde of superb characters, brilliantly acted by the top-drawer ensemble cast: Billy-Bob Thornton, Nina Arianda, Tania Raymonde, and Kevin Weisman in particular steal every scene they’re in with phenomenally dry and naturally funny performances. It’s also quite smutty and sweary compared to most other shows – the frequency and inappropriateness of which adds an extra layer to the humour. In style and tone, a lot of Goliath reminded me of Justified; very human and flawed characters that you want to spend more time with in knockabout situations with dive bars, blues music, and some peril / mystique thrown in. It’s also very well made, measuring up to the biggest budget shows around with a bright and slick look, top-end camerawork (those time lapses!!!) and a tremendous blues/rock soundtrack. In fact, my only two reservations about the show is that the main antagonist (Bill Hurt) is pretty much played as a Bond villain with a burnt face, living in a darkened layer, and given some token perversions. Also, the first six episodes have plenty laugh out loud moments, whereas the final two wrap things up in a more straightforward way. Goliath is so funny, addictive, and crammed with entertaining dialogue & performances that I watched all eight hours over two nights. It’s a solid courtroom drama for people who don’t even have to like Courtroom Dramas.

Score: 8.5/10

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Midnight In Paris [Unavoidable Spoilers]: Woody Allen brings us more misunderstood middle-class artisan-intellectuals with relationship trouble. The idea of the central MacGuffin of this film (travelling back in time and meeting historical figures) didn’t bother me much; but as someone who’s not very literary literate it all got a bit wanky pouring familiar name after familiar name on to the screen as if the audience would lap up the theatricality of it all. The only character I liked from the entire cast was Adrien ”Rhinoceros!!” Brody, everyone else just played pretty grotesque caricatures. Owen Wilson’s does his schlubby moping vagina act again, would love to see him try something different. As with any Allen film, there’s some nice tourism-friendly photography and vision from behind the camera, and a token trampy ragtime soundtrack to tart up the audio. For me, it’s just another stock Allen film – watchable and mildly entertaining – unless you majored in English, then it will undoubtedly be your film of the year.

Score: 6/10