Archive

Tag Archives: Mary Lynn Rajskub

WANTED Someone to go back in time with me. This is not a joke. You'll get paid after we get back. Must bring your own weapons. I have only done this once before. SAFETY NOT GUARANTEED. Aubrey Plaza, Mark Duplass, Jake Johnson,

Safety Not Guaranteed: a journalist and two interns head off to investigate a classified ad about a man who’s about to go time-travelling. Inoffensive Indie soundtrack, check. Strong indie cast, check. Mumble-core indie dialogue, check. Welcome to 2012’s feel-good quirky, low-key, shoe-gazing, Sundance-bait movie of the year. The director (Colin Trevorrow) puts a big bet on you fawning over Aubrey Plaza and finding her hilarious & irresistible: she’s in most scenes/shots and feels like the absolute focus – I personally don’t dig her that much, which pulled the film down a little for me. There’s also a fairly substantial side story with college ex-girlfriend, which is obviously filler, and I would have preferred to have spent more time with the funnier characters (like Karan Soni riffing off Napoleon Dynamite). But hey, the director went on to do Jurassic World, and a Star Wars film so he probably knows more than me! The acting’s good, script’s funny, characters are well-drawn, but the film itself feels like it’s trying three or four different half-assed angles (comedy, conspiracy, heartbreak…) and not sticking to one in particular. It would have been good if the ending had been explored further too. Although greatness isn’t guaranteed, this is actually way better than I thought it would be, for an entire film based on a single picture as old as the internet. It’s got highs, lows, and is a bit deeper and more engaging than most indie films – showing that quirky can still be funny and entertaining.

Score: 6.5/10

Safety Not Guaranteed CAR Aubrey Plaza, Mark Duplass, Jake Johnson, Karan Soni, Jenica Bergere, Mary Lynn Rajskub, Kristen Bell, William Hall, Jr., Jeff Garlin, Colin Trevorrow Safety Not Guaranteed GUN Aubrey Plaza, Mark Duplass, Jake Johnson, Karan Soni, Jenica Bergere, Mary Lynn Rajskub, Kristen Bell, William Hall, Jr., Jeff Garlin, Colin Trevorrow

 

Sunshine Cleaning: to ensure her son can get a good schooling, a struggling mum enters the lucrative, but stomach-turning, crime-scene cleanup business. The best part of this is that it’s fairly funny and upbeat considering the grim subject matter; the characters aid this most, other than the most annoying kid in history – If that was my spawn I’d have beaten him into shape by that age. Emily blunt looks great as an angsty goth, nails the accent and steals the show for me. Amy Adams was solid too – but was clearly during her ‘must have a scene in my underwear’ phase. Chloe form 24 once again plays her bread and butter TOTAL WEIRDO role – needs to diversify! The direction and story are both simple and effective, although it goes a little off-chorus in the final third, but enough groundwork was put in at the start to give this a nice indie sleeper-hit feel to it. Sunshine Cleaning cleverly walks the line between funny and serious, and successfully avoids become farcical or gloomy.

Score: 6/10

24 – Season 8: Quite a strange season. The episodes seemed to alternate between good and boring; but when it was boring it centres around the political aspect of the story, which bogs the entire season down and doesn’t have shit on the Palmer years. Because all the good people get killed off for dramatic effect the acting roster’s diluted beyond recognition. In the crap corner we have President Taylor. Dana Walsh, Rob Weiss, Charles ‘the human scrotum’ Logan, Kim Bauer, Meredith Reed… Most of the others are in the middle of the ring, sketchy at best – exceptions being rock solid Ethan Kanin, Michael Madsen super-typecast cameo and Dailia Hassan; who single-handedly blows the rest of the cast away with her intense performance. Jack’s looking older, but still talking ridiculously fast, and if there ever was a moral line he’s been treading for the past 7 years he finally flies over the edge – which sees his story change from the familiar risque agent to a full-on revenge rampage. Story-wise the plot-holes were more like black holes; Rene (real or fake?) infiltrating the Russian mob for five years… mmmmm, that wasn’t mentioned before, and the token mole was so rubbish and predictable. Given all of the memorable twists, turns, highs and lows through all eight seasons the ending was a very, very disappointing cop out, leaving the scope of the upcoming movie wide open. There were a few great scenes and turning points but in general we had seen everything here before.

Score: 5.5/10

Note: I’m actually relieved that it’s finally been axed because the show and format had ran out of ideas around season 3. It was like to watching a new pet grow up, have its glory days, then become lamer and lamer to the point where it needed to be taken into the garden and smashed over the head with a brick, for its own sake.