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213070-afterpornends

After Porn Ends: doc that catches up with some porn superstars of yesteryear and sees what they’re doing having left the industry. This doesn’t feel much like a conventional documentary – there’s no narration, or much of a narrative for that matter, just feels like you’re listening in on people storytelling; which has some merits. The biggest surprise is how smart and pragmatic some pornstars are (one actress is in mensa!), but this feels short-lived as it’s quickly balanced out by the ridiculously vapid bimbo stereotypes that also show up. You have to be a unique person to enter this kind of work, and in a way that’s what keeps this watchable – these people have led quite fascinating, peculiar lives during their porn careers, then as an ex-porn star societal pariah. The most interesting – and telling – part of the film however is seeing what happened after the interviews in the pre-credit titles. In the same way that ‘Side by Side’ was about the transition in cinema, this feels a bit like old-timers reminiscing about the glory days / ‘golden age’ of porn. All in all, After Porn Ends is surprisingly watchable, yet it’s a little unforgivable that someone could stitch together a film this flat and ordinary when it features so many people with remarkable stories (like a world-record breakin’ gangbang featuring 500 men!), working in the world’s most taboo and sensational industry.

Score: 4/10

Animal Kingdom: Mid-budget Australian crime film focuses on one family and their ongoing struggle against the Melbourne police department. Probably more at home on TV than the big screen, there’s a few misfires that lead this high-potential film astray. The single biggest mistake was that it could have been an epic story, but the director forces it down the arthouse route, and it just didn’t work for me. Other faux pas’ were that it focuses on the wrong characters, honing in on the most silent and blank-faced kid; the music was so distracting – terrible psychological synths turned up to 11 that ironically drown out any ambience; moreover, it’s to bleak, grim and nihilistic – making it a difficult story to watch. What saved this from obscurity was the fantastic cast, some of whom you completely invest in: the mother and eldest son are two of the most heinous characters you’ll see this year and you even end up rooting for the wayward brothers; although he’s good, the main actor is one of the weakest in the film. Fiercely over-hyped, and at almost two hours, Animal Kingdom is dragged out at a pace that cripples the movie and really fails to engage. While it’s not in the same league as Romper Stomper and Chopper it will have the same effect in bumping much of the little known actors up to a bigger stage.

Score: 3/10