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Super: A socially inept weirdo with ‘visions and voices’ creates the alter ego superhero, ‘The Crimson Bolt – armed with a monkey wrench, pipe bombs and the catch phrase “Shut up, crime”. It’s the total opposite of everything you’d expect from a superhero movie – the characters are all deeply flawed, the humour is super black and is contrasted with some full-on bone-crunching, brain splattering violence. Technically, it’s also very different, with a lo-fi handheld style and toe-tapping indie/pop soundtrack that give it a unique, botique, wholesome style – I was sold from the TSAR opening credits. The biggest hit is Rainn Wilson, he’s utterly fantastic, pitches the character perfectly, and genuinely makes the movie. Kev Bacon is great as a scumbag, and Page does a decent job as a foul-mouthed youth. The humour is twisted and black with a deep, dark streak running through the movie – very awkward, offbeat, black, but really really funny (“The Finger of God had touched me”, “Don’t steal, don’t molest kids, don’t butt in line”, tentacles, the sex scene… it’s all absolutely mental). On paper Super looks like another Kick-Ass, but everything about it is different and unique, which makes this a little indie belter that stands out from the copy/paste films in the superhero genre.

Score: 9/10

The Dark Knight: (Blu Ray) Opens up with one of the best bank jobs in history and almost everything going forward is first class; especially the story, enemies, drama and action – it’s all just so epic. Heath Ledger’s absolutely on fire as the anarchist Joker, genuinely looking insane – watching his lips, tongue and ticks should freak anyone out – and he nails the offbeat humour with conviction to spare. Bale continues to make Bruce/Batman believable as the human-turn-superhero. Katie Holmes magically transforms into Maggie Gyllenhaal; no complaints from this reviewer. Eckhart’s great, despite only being able to half-act in the last hour. Lt. Gordon wins my ‘Worst husband ever’ award, no contest. Downsides: it’s a tad long and has lots crammed in (the last half hour could have been in a third movie, and a great posthumous send-off to Ledger?), Batman’s voice is ridiculous and Two-Face / Dawes / Scarecrow don’t get nearly enough screen time. The picture’s great with fantastic detail and stunning aerial shots, but once again the bombastic sound dominates the disc – every gunshot, explosion & Batmobile ride rocks you to the bone. The constant thrills and spills topped off with slick visuals and a great cast make The Dark Knight far superior to the strung-out character study of Wayne that was ‘Batman Begins’. With a final movie just being announced I’m drooling at the prospect, although I don’t fancy the chances of it topping this.

Score: 8/10

Evil Aliens: from the opening abduction scene you know this film’s going to be staple b-movie territory: social stereotypes, urban legend, broken down vehicle, drugs etc… The one thing this film does better than the rest is Gore, by the bucketload. Limbs, blood and guts fly around for the duration and there’s at least a dozen blood-facials – I’ve not seen gore on this scale since Braindead! It looks and feels like a mix between a Welsh Independence Day and a Slipknot music video, yet it’s shot and mixed pretty well. The story oscillates between disturbing and ridiculous, but it’s totally watchable and never makes you cringe, coupled with the gratuitous smattering of babes and it’s a winner. Pretty generic story but it’s saved by the gore and the humour – definitely one of the better B-movies.

Score: 5/10