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Tokyo Tribe Buppa Nana Seino, Ryōta Satō, Junsuke Daitō, Takuya Ishida, Yui Ichikawa, Mika Kano, Shoko Nakagawa, Shōta Someta, Denden, Yōsuke Kubozuka, Riki Takeuchi, Bernard Ackah, Yoshihiro Takayama, Arata Matsuura, Panda UnitedTokyo Tribe (AKA Tokyo Tribe2, トウキョウ トライブ トゥー, Tōkyō Toraibu Tū): near future Tokyo is divided into sections ruled by street gangs; but war is about to breakout when one gang tries to take over. Just when you think you’ve seen everything from Japan they throw out a West Side Story style film, acted out almost entirely though musical rap battles – a Hip-HOpera! It’s a sweet idea to begin with, but at two hours long it’s stretched to the limit; the continually repeated drum breaks become grating, and forcing the lines to rhyme means the dialogue feels clunky in parts – although it could be lost in translation. Also, because modern music videos have massive production, parts of this look a bit cheap in comparison. The set and character designs are impressive, epic sprawls of graffiti’d urban decay, futuristic nightclubs, and a grand dining room. Not that this needed it, but the manga origins give this licence to be crazy with some hammy acting (Buppa), big haircuts, robo-mecha babes… classic Japan! The action is well executed, and the large-scale finale battle is particularly impressive. It feels like the director knew that the rap-battles would only be novel for so long (it doesn’t help that the narrator / central character is uncharismatic) so he throws up something risqué every 5 mins or so to perk you up; gratuitous nudity and fondling, or provocative and controversial dialogue. From the director of Love Exposure and Cold Fish, this couldn’t be more different – but it’s an even more ambitious, unique, and admirable feat than those.

Score: 5/10

Tokyo Tribe Gang Leaders Nana Seino, Ryōta Satō, Junsuke Daitō, Takuya Ishida, Yui Ichikawa, Mika Kano, Shoko Nakagawa, Shōta Someta, Denden, Yōsuke Kubozuka, Riki Takeuchi, Bernard Ackah, Yoshihiro Takayama, Arata Matsuura, PandaTokyo Tribe Mika Kano Nana Seino, Ryōta Satō, Junsuke Daitō, Takuya Ishida, Yui Ichikawa, Mika Kano, Shoko Nakagawa, Shōta Someta, Denden, Yōsuke Kubozuka, Riki Takeuchi, Bernard Ackah, Yoshihiro Takayama, Arata Matsuura,Tokyo Tribe Gira Gira Prostitutes Dominatrix Whip Nana Seino, Ryōta Satō, Junsuke Daitō, Takuya Ishida, Yui Ichikawa, Mika Kano, Shoko Nakagawa, Shōta Someta, Denden, Yōsuke Kubozuka, Riki Takeuchi, Bernard Ackah, Yoshihiro Takaya
Tokyo Tribe Poster Nana Seino, Ryōta Satō, Junsuke Daitō, Takuya Ishida, Yui Ichikawa, Mika Kano, Shoko Nakagawa, Shōta Someta, Denden, Yōsuke Kubozuka, Riki Takeuchi, Bernard Ackah, Yoshihiro Takayama, Arata Matsuura, Panda Unite

Kung Fury David Sandberg, Jorma Taccone, Steven Chew, Leopold Nilsson, Andreas Cahling, Eleni Young, Helene Ahlson, David Hasselhoff,Kung Fury: After being struck by lightning and bitten by a cobra a cop is transformed into a Kung Fu master and swears to protect his city from evil; evil like Adolf Hitler. Not unlike a Zucker brothers comedy, Kung Fury is crammed with a continuous assault of gags – lots hit the mark, some don’t, but the rapid pace doesn’t give you time to dwell on any of them. There are however a couple of big reservations that hit you when watching this: firstly, it all seems overly familiar because the film’s structured like a collage of ‘cool’ scenes, ideas and parodies from lots of great sources – Danger 5 (literally dozens of ideas stolen from this), Iron Sky, Oldboy, MacGruber, Mortal Kombat, ThunderCats, MASK… all of which are welcome, but you’ll have seen elsewhere. Secondly, with the characters being steampunk Nazis, talking animals, Viking babes with machine guns, dinosaurs etc – it feels like box-checking meme-bait: think SuckerPunch distilled into 30 minutes. Aesthetically, it looks beautiful and feels retro – mostly green screen, but all very well done, with seamless editing, and a couple of nostalgic VHS wear / tracking / distortion moments that really play up the 80s setting. There’s no denying that Kung Fury is fun, entertaining, and particularly well-crafted given the CGI-heavy nature – but ultimately it’s let down by a distinct lack of originality content.

Score:  7/10

You can watch the entire movie on YouTube below