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Horrible Bosses 2 Jason Bateman, Charlie Day, Jason Sudeikis, Jennifer Aniston, Jamie Foxx, Chris Pine, Christoph Waltz, Kevin Spacey, Jonathan Banks, Lindsay Sloane

Horrible Bosses 2: after the zany hijinx of trying to knock off their bosses, the gang try to start their own business to be their own bosses; even more hijinx ensues!!!lol!1! Most scenes seem to be the three central characters shouting over each other, becoming an incoherent babble of noise, with the odd silence for a scripted ‘funny’ to become audible. Spacey, Foxx, Waltz, Aniston, Pine – there’s some pretty big names in here; surprisingly big given the gutter level humour – so it goes without saying that nobody’s really putting that much effort in (Maybe just Pine?). Despite the lazy premise, inaudible din, and coasting cast I did still laugh, more than I thought I would – although it’s obviously because I’m a bad person that finds crass / inappropriate / shock value moments funny (there’s not a whole lot else in there that tickles the funny boner.). Literally identical write-up but overall marginally less impressive than the original in every way.

Score: 6.5/10

BReaking BAd logo periodic table yellow meth smoke teeth effectBreaing Bad Season 4 Bryan Cranston, Anna Gunn, Aaron Paul, Dean Norris, Betsy Brandt, RJ Mitte, Bob Odenkirk, Giancarlo Esposito, Jonathan Banks, Ray Campbell, Lavell Crawford, Maurice CompteBreaking Bad (Season 4): The pressure’s turned up even higher as Walter White and his protégé Jessie Pinkman play a dangerous game of tactics with Mexico and ABQ’s top drug kingpins. This is the first season of BB that comes out of the blocks sprinting, starting dramatically, with the coldest murder to date. Almost every episode has a narrative purpose, story & character development and some solid drama – it’s not just about the characters anymore (finally). Needless to say the acting is some of the finest on TV; Walt and Jessie continue to evolve, but it’s Gus who shines brightest as an ever-calm, focused, calculating, courteous, professional, ruthless, business-minded, innocuous drug lord. Hank gets a lot more time, and a gripping sub-plot as he does some top investigation work; as does Mike, Gus’ hardened, dryly comic right-hand man. Visually, the show is like nothing else, with so many innovative & beautiful time-lapses, montages, and knockout camera shots. They’re often unusually high or low which sticks out; attached to an object (like a shovel or self-navigating vacuum cleaner); and sometimes stuck inside / behind / under something – a pipe or oven – and there’s even a dodgy ‘filming up through glass pretending to be underground’ shot. The show’s visual flair is one of its best and most unique features, and something that always keeps you on your toes. The tone also becomes more eclectic as everything closes in on Walt: synth music and manic laughter wouldn’t feel out of place in The Shining, and there’s some flat-out slapstick moments like Walt scrambling around his house trying to evade hitmen. Season 4 is when Breaking Bad finally makes the leap from good to fantastic and unmissable TV; every aspect is continually improving and evolving in to everything you could ask of a show; stylistically, plot-wise, and such 3D characters – which comes together to produce a final product that is entertaining, thrilling, dark, funny, ‘gritty’, and believable.

Score: 8.5/10

Breaking Bad Season 1 Review
Breaking Bad Season 2 Review
Breaking Bad Season 3 Review

BReaking BAd logo periodic table yellow meth smoke teeth effectPhoto Credit:  Ben Leuner/AMCBReaking BAd (Season 3): picks up soon after the explosive Season 2 finale, Walter and Jessie’s operation keeps growing, but is attracting yet more interest from the feds and rival gangs. By the time S3 had started we’d seen the ups and downs of the Walter-Jessie relationship several times, this season was – for me – the first time that another relationship became more interesting; Walter and Gus – which ranges from courteous & professional to explosively volatile – you also get the feeling that Walt has finally met his match, as Gus puts the squeeze on him, and the people he cares about. It’s definitely the best source of drama in this season. After Walt comes clean with Skyler their relationship also changes significantly, yet, not exactly in the direction you’d expect. Because so much emphasis is put on characters, family and relationships it takes over four episodes (of only thirteen) for any real plot to happen, and the only tension comes from the two silent cousin gang bangers. I find it fascinating in America that Breaking Bad depicts in-depth drug making techniques, drug use + abuse, violence, a man’s head being crushed by an ATM machine… but the word ‘fuck’ is bleeped out. Season three has some of the best moments (Car Park, Ladder confession, finale) in the series so far… yet it’s also got some of the slowest, most plodding and outright bizarre episodes (‘Fly’ episode feels out-of-place, and Walter – for the first time – appears ridiculously simple). The most defining feature of Breaking Bad is that it all still feels relatively normal and realistic – you believe in the characters, their families, their lives, their roles. You know people like these. That’s still the show’s strongest suit, but after 3 seasons it’s hard to see how much longer it can rely on character development over drama.

Score: 7/10

Breaking Bad Season 3 Sunset Cousins Gus Carpark Shootout HankSaul Goodman ITS ALL GOOD MAN Better Call Saul SE HABLO ESPANO