Tag Archives: Joe Don Baker

GoldenEye: [Spoilers] when a global terrorist organisation steals a civilisation-busting weapon system called GoldenEye only one super spy can save the world from the looming doom.

Can a normal man catch up with a heavy, aerodynamic aeroplane... Duh!!

Who’s this idiot-hole jumping off the side of a reservoir and grapple-gunning his way to the bottom? Then taking on a room full of Russians, then stealing a bike, then the plane in mid air… The guy’s insane! This is an outstanding pre-title sequence with 007 and 006 (but how did he get there?) carrying out a break-in at a Russian chemical plant – definitely one of the best, most exciting, most tense and most action-packed of the intros. The (now legendary) N64 game captured facility so well when you see the film again.

It's all 6s and 7s in this scene - and film!

With the fantastic Licence to Kill proving to be a box office misfire – I blame the studio – and the franchise stuck in a rut for over five years the series was having a bit of an identity crisis, and it definitely shows in GoldenEye, which to me feels like a half-arsed re-boot.

Not particularly menacing, unless you have a fear of penis-shaped noses

On one hand we have the good old Commies getting themselves into trouble, a trusty space weapon of doom, a villain that wants to wrong all of the world’s rights, a bunch of big-budget action set pieces, enough explosives to match Licence to Kill and some truly awful accents (taxi  for Janssen & Cumming)… It’s like nothing’s changed.

M, a lady, in a Bond film.... OUTRAGE!!!!

On the other hand hand we have a new Bond (with an 80s lady haircut), a new female M (with a boys haircut), a new Moneypenny (with a drag queen haircut – I’M SO CONFUSED!). Despite having a typical Bond story, there’s something different about it… The original parts are all here, but it just doesn’t feel the same! In one of the film’s most telling scenes M notes that in a post Cold War world James Bond is a sexist, irrelevant dinosaur – shame on her!! A few other characters also jibe with Bond about being old hat…Definitely uncalled for given what JB has done over the years, and guess who has to save the day / world / girl / civilisation again!?!? – idiots!!

Bond nerd and Bond girl, two great characters that are both crucial to the story

As far as the new Bond goes, I really rate Brosnan. Growing up through his films (this was the first one I saw in in a cinema, thanks mum!) he’s the Bond of my era, but also, looking back through the years – for me, he’s the first ‘full package’. Sure, Connery is the Bond – oozing charm and humour, Lazenby was the timid one, Moore too theatrical and Dalton quite mysterious – Brosnan rolls all these traits into one performance, creating a full character for the first time.

Sharpe and Steele - surely a winning 00-combo!

Other unforgettable moments from GoldenEye are the: Tank Vs Train fight, the sexually charged vixen Onatopp (hubba hubba), unashamed 1990s SFX abuse with everything and everyone being blown and smashed up, the blatant IBM advertising, “I am invincible” and the super-cool satellite fight at the end.

Xenia Onatopp: has the gadget to rule all gadgets, killer thighs

For the first time in decades we have a great (and quite large) number of solid – fleshed out – characters that all bounce off and balance each other – because although the action is memorable in GoldenEye, it’s really the cast that have to make us believe that the world’s change AND push the picture forward. While it’s more of a facelift than a proper restart the Bond team did well to nail GoldenEye and save the feanchise that so many had written off. Solid 90s blockbuster.

Score: 7/10

A massive tank, drifting 'round corners and through buildings... awesome

Villain: Sean Bean – pretty insane, wants to throw the UK to the dogs!! 7
Henchmen: Femke Janssen, Penis-nose’d Russian, Invincible Boris. 7
Bond Girls: Femke Jannsen – likes it rough. Programmer chick – very attractive. 8
Action: Opening Scene, Car Chase, Jail Breakout, Tank Chase, Antena & Base destruction 7

First film and we've already seen Brosnan's Ohhhhhhh-Ohhhh face!

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Aye em eenveenseebiilll

Bonus round - so you'll never, EVER look at this poster the same again

The Living Daylights: James Bond must ensure a senior Soviet defector’s safe escape from the country, then hunt down and kill a senior KGB agent, then find and foil the plans of a notorious arms dealer, then help an Afghan militia, then give a cellist the international break she deserves…

Who's this windswept fellow?

Almost 20 years after initially being approached to play Bond, Dalton finally gets his shot. I’ll put it out there straight away – I think Dalton’s great, and brings some much needed credibility back to the world’s greatest spy. This 007 is broodier, more intense, ruthless, dangerous again. He doesn’t care about the theatricalities, most evident when he charges through the immortal (but seemingly obligatory) “Bond… James Bond” line.

Bond, James Bond - and he will totally fucking shoot you!

This new style is further aided by some of the bleakest scenes in the series so far; we see 004’s lifeless corpse bounce down a cliff and slam into a gutter, Bond’s ally get mauled by a glass sliding door. Bond also tears the clothes off a defenseless woman to form a distraction… we truly believe he’s capable of anything that he’ll use his Licence to Kill at any point.

1980s Bond roughs up the bad guys - not the naked ladies - for a change

It’s all going quite well, and the plot’s developing nicely… then it all goes a tits up when they do a SATC2 and start traipsing around the desert in “Arabian Knights” fashion with camels, turbans, beards, horses and AK-47s.

"Could he really be the 'Lawrence of my Labia'?"

The lack of a definitive baddie is both good and bad; it’s the single biggest reason for a strong, twisting and intelligent plot (not just ‘jape with and hunt down the villain’), on the other side of the coin, history has shown that strong villains can make or break a film, and for the first hour or so Bond’s essentially just chasing his own tail. The lack of a strong Bond girl also affects the film, and puts – quite unfairly – far more emphasis on Dalton’s breakthrough performance.

A highly divisive film, some people think it took a wrong turn...

The action is back on the right tracks, opening as it means to continue with the Gibraltar invasion – a great piece of espionage/action cinema that’s both tense and unpredictable, yet still so very 1980s cool! The car chase from a B-road – through a truck – and on to a frozen lake is also one of the best; and the hand-to-hand milkman vs chef fight is one of the best since From Russia with Love. Other sweet aspects to The Living Daylights are: the pipeline escape (and boosom distraction), such a hack theme song, The new ditsy Moneypenny (Definitely the end of an era), travel-companion feel – Russia, through central Europe, and the Middle-east.

Astin Martin with rockets, lasers, skis and a jet engine!! Hell yea!

In the same sense that chunks of A View To A Kill were perhaps ‘Dalton’-styled with Moore at the reins, sections of this are definitely Moore-centric with Dalton plonked in front of the camera. The first 2/3 is a rock solid thriller/spy film, with feet back firmly on the ground – and the last 1/3 is passable but feels somewhat gratuitous in the action department. It’s definitely a step in the right direction after Moore’s tenure.

Score: 6.5/10

"Eee got thu flew"

Villain: hard to tell, but ends up being the military strategist arms dealer yank – who plays with toys – FAIL. 2
Henchmen: Aryan muscleman – pretty brutal. Slick-haired Ruskie Koskov – pretty boy. 5
Bond Girl: Boat Babe – pretty good. Cello chick Kara Milovy – vapid vacuum, no glitz. 4
Action: Gibraltar + Explosives truck / Kitchen fist-fight / Snow Chase (Ace car + cello) / Rooftop Run / Prison fight / air base raid / luggage net. 8

Don't know if Bond could cooperate with muslim fighters these days...

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