Hanna: Raised as an assassin, Hannah is cut loose in the real world and soon becomes a fugitive. It doesn’t take long for you to realise that this is nothing short of meticulously filmed – there’s some fantastic single takes, stunning framing / mise en scéne and the action is put together with enviable ease. Said action’s also heightened by a great soundtrack; not dissimilar to Lola. Being set, filmed and funded by Europeans – it has a great anti-blockbuster quality and feel that’s pretty difficult to describe. Distracting everyone from the all of the awesomeness mentioned so far is a cast jammed with as many ridiculous characters as the story could hold: a washed-up clown Grimm, two Neo Nazis, comedy homosexual hitman, ke-razy traveling family (with the worst daughter ever). Because of these characters, the tone bounces around frenetically – serious chase, followed by fish-out-of-water, followed by some action, then a Volver-esque ‘genuine’ Spanish street performance, then some serious plot development… Cast-wise, you can always rely on Eric Bana to pull through and Blanchett nails her portrayal of a determined, cold villain. Ronan was good, considering her part kept flipping between comedy and thriller. Hanna proves to be an above average, and well-directed cat-and-mouse movie with a nice backstory that’s drip-fed throughout the duration.