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JAPANORAMA - Metal Lord BANNER JAPAN-O-RAMA.jpgBig Man Japan 01 Hitoshi Matsumoto, Riki Takeuchi, Ua, Ryūnosuke Kamiki, Hiroyuki Miyasako, Daisuke Miyagawa, Shion Machida, Daisuke NagakuraBig Man Japan (大日本人 Dai Nipponjin): every time a monster appears and threatens the nation, ‘Big Man Japan’ is called upon to fight it off. A mockumentary superhero movie like no other, this is part monster-fighting CGI and part humdrum, everyday issues of an off-duty superhero – wage concerns, pension problems, the effects on your family – all quite quirky and different. There’s a few really gutsy / interesting lines, one in particular about Japanese people not being “anti-American”, but being brought up ‘a little bit like that’ – very interesting, and something that’s very rarely addressed in other movies. There’s a streak of very bizarre – absurd – humour that runs through the movie. There’s not a lot of laugh out loud moments, (mostly very, very low-key, mumbly, superdry dialogue) but when they pop up, they are really funny. The films looks like it’s heading towards a classic showdown, when it – for no apparent reason – changes into an Ultraman / Power Rangers type TV show spoof; which doesn’t really match the rest of the movie and feels like a stupid way to end it. The premise is completely brilliant, but instead of doing it justice, the film feels like it’s concentrating more on it’s genre-ending message that Japan doesn’t really want to tolerate any more monster movies.

Score: 6/10

Big Man Japan 02 Hitoshi Matsumoto, Riki Takeuchi, Ua, Ryūnosuke Kamiki, Hiroyuki Miyasako, Daisuke Miyagawa, Shion Machida, Daisuke Nagakura

20th Century Boys: a normal guy has to save the world from a certain doomsday. For the most part the plot doesn’t make a lot of sense because there’s a lot of childhood memories, which are impossible to figure out until those events / characters are revealed in the ‘present’. There’s the usual hammy overacting associated with Manga but some cool nods toward films like Wild Zero / Electric Dragon with the weird guitar semi-climax. It looks and feels quite slick in parts, yet some pretty cheap CGI crops up towards the end. Because it’s part of a trilogy, the film feels slow and bloated, with no attempt to make it remotely ‘stand alone’ – it’s also left wide open, ending on a bum note. While it may be one of the most successful films in Japan; to a non-fanboy cinephile, it just goes on my list of not-very-memorable Manga adaptations, and I won’t be watching the other two parts.

Score: 5.5/10