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From Russia With Love: James Bond must assist a Soviet Defector, while watching his back as SPECTRE are out to avenge the death of Dr No.

Bond and Bey - an espionage dream team

First appearance of Ernst Stavro Blofeld - Number 1

As with Dr No, this film expands on several more recurring themes in the series; most notably Q Branch and the gadgets, pre-title action (although technically a mini mission), and Red Grant – the first of Bonds larger-than-life opposite numbers – and more generally ‘henchmen’ carrying out the grunt work on behalf of the main villain. More than anything else From Russia is quite the sexist film, with crass lesbian overtones, full-on belly-dancing credits, a ridiculously overlong scantily-clad girl fight and continual put-down of the women – what happened to the ladykiller from Dr No?!?

Tatiana Romanova - Bond Girl and defecting agent

For me this film is summed up by “Trains and Tunisia”, as it takes around an hour for anything substantial to happen. Unfortunately, Bond doesn’t even make it to Russia (Cold War tensions were high at the time), yet the film’s full of Terrible Russian – and English – accents. For being one of the most celebrated and highly rated films I personally don’t think that there’s much to like in From Russia, and that the majority of the film is mediocre and forgettable.

Score 4/10

Red Grant - the first of many muscelmen

TOP TRUMPS
Villain: Rosa Kleb – looks mean, pointy shoes but killed by the Bond Girl! – 5
Henchmen: Red – benchpressing benchmark for super-strength bad guys / Footnote for chess Grandmaster – 7
Bond Girl: Tania – Hot Russian – 8
Action: Train fight, helicopter, Boat Chase – 3

The main weapon - "she got her kicks"

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The Wolfman: Re-make of a 1940s Werewolf film, and probably just as lame and cheesy as the original! I can’t really sum up how bad this is in mere words but I’ll give it a go: it’s essentially a classic 1980s action flick with inane modern effects and a terrible story. This got more laughs than shocks in the cinema as it was just so cheesy, the highlight being Anthony Hopkins’ campy lord character – how they managed to con such a respected cast into this is absolutely beyond me. It’s far too reliant on cheap jumps / special effects, and the music is as bargain-bin as the script. It’s excessively gory, but even that doesn’t distract you from the cinema butchery. Despite the ‘expectations bar’ being set outrageously low this films still managed to comfortably limbo underneath. Avoid at all costs.

Score: 2/10