Green Room: when they witness a murder in a remote neo-nazi music venue crusty-punk band “The Ain’t Rights” have to fight their way out. It’s the sort of weird blurb that you’d expect from a shitty B-Movie, but this one is anything but that. The setup is a great portrayal of the Punk/DIY scene and touring life in general; whereas the main chunk of the film switches to a tense, claustrophobic cat-and-mouse thriller as the band are trapped, and the balance of power inside/outside the room shifts back and forth. The final act changes gears yet again into more of a generic hillbilly survival horror story; yet keeps up with the breath-holding, seat-grabbing set pieces. The film is littered with moments of ultra-violent ultra-gore; limbs being slashed, people being gutted, graphic gunshot wounds… which are offset with some wonderfully wicked black/morbid comedy moments; like fighting off a dog with a mic stand and getting ridiculous feedback from the PA system. Visually, the film is very slick and the director skillfully keeps the majority of the runtime confined to a the small, grotty, bar: unsurprisingly, all of the green colours have been popped out, giving it a vibrant – almost neon – wash. The entire cast is solid; it’s a great turn by Yelchin in one of his final roles, and it’s fantastic to see someone straight like Patrick Stewart play a proper ruthless peesashit baddie. Green Room exceeds all expectations for a film with its niche plot, and is handled exceptionally by the cast and director, creating a solid and effective thriller.
List of bands mentioned / referenced: I’m sure there’s more!
Fugazi, Dead Kennedys, Dillinger Escape Plan, Misfits, Black Sabbath, Simon and Garfunkel, Prince, Madonna, Slayer, Iggy Pop, Minor Threat, Distillers, Dare to Defy,
The Purge: In the near future crime and unemployment are at an all-time low, thanks to the purge – 12 hours every year where all crime is legal. I loves me a good old B-Movie, and this film has it all: a strong single-concept, near-future dystopia, home invasion / terror flick. It’s 80 minutes long, and could have even cut a bit more out of the setup. There’s’ action. There’s some gore. The baddies are sufficiently scary, whilst remaining authentically ‘Kids next door’. Best of all, there’s a serious social commentary that runs through the entire movie; that makes you think about what you’d be doing in this family’s shoes. In fact, the only thing that bugged me about this was that the son was such a complete idiot-hole moron assface – who continually did the most stupid things for no reason (although it did conveniently push the plot along). The Purge is the kind of film that if you don’t buy into the conceit, you’ll completely hate it. I bought into it, and loved every minute of it.
The only two rules of Purge Club
- No government official holding Rank 10 or higher is to be murdered, harmed, have harm caused to them, or in any event brought to harm in any case.
- Weapons above Class 4 are forbidden, meaning that destructive devices (rocket launchers, grenades, bombs or missiles) and explosive materials are excluded from The Purge.
Evil Dead: five friends go for a remote, relaxing break at a cabin in the woods… where they accidentally unleash an angry daemon. So I’ve seen this film about ten times, yet it still gives me the willies: from the outset there’s a lot of weird, floaty camera movement as it sweeps through the woods; something spooky or shifty happens about every 2 minutes; and you couldn’t have picked a more eerie set of locations: rickety house, basement, woods. The film’s packed with masterful moments of suspense, and the old school horror soundtrack gives it a timeless quality – screeching strings. There’s a few funny bits (and black humour thread throughout), but it’s definitely more horror than comedy. Whilst Bruce Campbell isn’t the best actor in the world, his presence is something else. The film builds towards a gore filed gory gore-fest of an ending – that will satisfy the hardest of horror fans. Essentially a B-movie, made on a shoestring budget; it has more than enough going on to totally distract you from the fact that it’s so cheap and brimming with continuity errors. The Evil Dead has more atmosphere, tension and impact than 20 empty, modern, derivative horror knockoffs. Proper horror cult classic.