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Tag Archives: FPS

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Hardcore Henry (Хардкор): when he is resurrected with no memory and new robotic limbs, Henry must save his kidnapped wife from a telekinetic psychopath who has plans to weaponise a robo-army. From the opening credits (graphic, but blackly comic violence) you can tell this isn’t your usual action film – most of the movie is shot from a ‘First Person’ perspective, from the point-of-view of ‘Henry’ using an intricate head-cam rig. The film is basically 90 minutes straight of Henry running / jumping / shooting / punching through a long line of obstacles; with some awesome freerunning & parkour (seemingly no wires – or brains!), and high intensity and very high quality stuntwork: the elements combine to create a truly unique  and awe-inspiring action spectacle. There’s also a great anarchic/punk sensibility to the movie; anything goes, and there’s a lot of crazy & zany elements… it even using things like subtitles to make a few jokes with. The biggest problem is that when everything is up at 150% the whole time, you end up becoming a bit numb to it towards the end. Another downside of the FPS style is that the camera is very shaky and has a warped fish-eye lens which distorts a lot of the outer frame. Hardcore Henry is a film that is truly cutting edge, in that it couldn’t have even been made a couple of years ago – the only remotely close comparison you could draw would be a less offensive, but higher-octane version of the Crank films. It’s fun, impressive, and completely mental, but overall struggles to engage after a while. Best viewed after consuming a twelve pack of Red Bull.

Score: 7/10

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NOTE: The entire film was spawned from this music video – if you fancy 90 mins of this, look no farther than Hardcore Henry.

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Westworld: a luxury adult amusement park where holiday makers can relive the lawless Wild West for a thousand dollars a night; nothing can go wrong, and you can kill or get off with as many robots as you can! The concept is made more believable as it’s backed up with dozens of one-liners that explain the robots, the park, and answer the obvious “how does that work” questions. The three mains are all good, but Yul Brynner’s evil robot gunslinger stands out as being absolutely chilling: his mannerisms (particularly the slow, but efficient, walk) are unsettling as he malfunctions and chases down the lead – this is clearly the starting point for The Terminator. For an oldie, the film looks great, and is plenty stylish – hat’s off to the photographer and director. Storywise, it could have been a little better proportioned: 60 minute lead up, 5 minutes of destruction, 25 minutes of chasing… felt a little short-changed given the premise. Like all of the best Sci-Fi movies, at the heart of Westworld is a single, great idea, that just hasn’t aged a day, and if anything is more relevant to modern science – right down to the technical jargon. Even if robo-madness isn’t fully maximised, Westworld is a solid film made all the better with its creepy – prophetic – tone, and a retro / kitsch vibe.

Score: 7/10

Robot hookers… curvy!