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Tekken 01 Jon Foo, Ian Anthony Dale, Cary-Hiroyuki Tagawa, Kelly Overton, Tamlyn Tomita, Luke Goss, Cung Le, Gary Daniels, Candîce HillebrandTekken: after WWIII the megacorporation Tekken controls what was once North America, and is staging it’s annual ‘Iron Fist’ tournament. Obviously, for a film like this, actors are cast for their athletic looks over their talent – which leads to some god-awful line delivery from most people, but hey, at least they look very similar to their pixelated counterparts. The set-up is fairly good for this type of film, integrating a lot of detail from the game series. What drives Tekken is the action, and this film knows its audience, assigning about 2/3 of the runtime to 1 on 1 fights from the games, death-matches, or other action scenes. Despite being nothing new to the genre, Tekken is more watchable than most computer game conversions – and as good as any average cyberpunk / dystopian future movie.

Score: 4.5/10

Tekken 02 Jon Foo, Ian Anthony Dale, Cary-Hiroyuki Tagawa, Kelly Overton, Tamlyn Tomita, Luke Goss, Cung Le, Gary Daniels, Candîce Hillebrand

Chocolate: a retired loan shark falls ill, and her daughter goes out to get the money back to pay for the medical bills. Even though it’s clearly just an excuse for the action, the story is pretty bad, and was in the front seat for too long. Also the sooner Thailand realise that emotional scenes don’t have to feature slow motion filming and hammy cheap pop music, the better. What sets this film apart is the amazing action choreography, stunts and creative fighting. There’s five full-blown fights – Ice / Warehouse / Meat Factory / Showdown and Building – crammed with jaw dropping tricks and set pieces that most countries wouldn’t think about letting you try. As shown in the end credits the heroic (dumb) stuntmen here go through hell to get the perfect shot, and it pays off big time. Despite essentially having to play an autistic ninja, the lead girl does a stellar job and her stuntwork / fighting skills are immense – you can’t believe half of the things she’s doing. If you want to see a good story of vengeance and justice, Chocolate probably isn’t the best example, but if it’s insane stunts and action choreography a la Tony Jaa films, this hits the target.

Score: 6.5/10