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Margin Call: ensemble piece set around the 2008 financial collapse, when bankers first discover how much they screwed up. Seeing as the whole world knows how this story ends, it feels a bit odd creating a tight drama out of it, especially only starring the culprits. The script feels like it’s been written by a committee of naïve, lefty students, with some terrible “OMG – guess how much this banker was paid last year” and “LOL- it’s OK to screw over the unwilling public” type dialogue thrown in every ten minutes, just in case you still happened to like/respect bankers. The film only really comes to life when Tucci, Spacey and Irons are in the frame; they do what they do best and for those scenes you can soak up the proper acting. Unfortunately, there are also scenes where broody Baker and Moore struggle to convince, or keep up with the big boys. It is – and feels like – someone’s first time behind the camera; filmed in a rough-ish documentary style, when it needed to be more slick, engaging, flashy or all three. The best bits of Margin Call are powerful scenes with A-listers earning their buck and dropping your jaws; the worst parts feel like unnecessary hindsight-laden anti-banking propaganda.

Score: 3.5/10

Wall Street – Money Never Sleeps: 20 or so years after the first Wall Street film Gordon Gekko is released from jail and tries to warn everyone about the upcoming 2008 crash, while making amends with his estranged daughter. First off, it’s painfully ironic how a movie explaining that consumerism and greed caused the recession could be used to advertise so many brands. Only an absolute tool could sit through this and not realise that they paid good money to watch a +2 hour advert; with the most shameless product placement since iRobot – Heineken, Ducatti, Lays, Y3, iPhone, Borders, Macs, 5-hour Energy are in-your-face for the duration, peaking with a 30-second montage of Bulgari jewelry – for real. Pretty much every character is an under-developed stereotype: greedy-corrupt-cigar-smoking-over-bonused-bankers, quirky-left-leaning-liberal, mad-scientist-with-a-vision… what’s worst is that nobody’s particularly likable – not even Gordon Gheko. Add to this the fact that nobody’s in any real danger, and that it’s impossible to relate to (let alone feel sorry for) a bunch city bankers and you end up with an unengaging movie. There’s more – it’s about 40 minutes too long and twice as wordy as it needed to be; crammed with semi confusing high-finance terminology – but even that couldn’t mask how shallow the film was. The rotten cherry on this shit-flavoured cake was the loud and bland indie soundtrack. I’ve never seen the first one, and unless anyone can convince me otherwise I never will after seeing this. Overall the film’s as empty as LaBeouf’s screen presence – money may not sleep, but I almost did; twice.

Score: 1/10