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Wall-E: (Blu Ray) a lonely ‘bot and his roach, set out to clean polluted earth – which lands him on a wacky space adventure. Due to the lack of dialogue it relies on two things to engage the audience; the personification of Wall-E and descriptive music. It’s not totally dialogue free as there are talking humans and the bleeps / robo noises are used masterfully to convey basic language. The mid-section’s a happy-go-lucky robo-screwball, with slapstick and visual gags everywhere. Unfortunately, the story is pretty predictable and lacks the adult layer that makes the best animated films (like Finding Nemo) stand out. It’s also quite preachy and so critical about humans, fatness, our capitalist way of life, and the corporation that Al Gore could have co-written it. The broken robot uprising was a poor rip off of the broken toys in Toy Story. The sound throughout is pretty good but the picture’s two tales: brilliant in space but dull and cloudy on earth. Don’t get me wrong, I did like this, but it’s nowhere near as good as the aforementioned Pixar titles.

Score: 6.5/10

Zombieland: the latest ‘Zom-Com’ pushing the genre further into the mainstream, follows a small band of survivors two months after a zombie outbreak. There’s thirty-odd ‘rules to survival’ although you only hear about six, which is a bit pants. The four humans carry the film well, and the chemistry between them is believable; Eisenberg plays a Michael Cera typecast and Woody Harrelson nails one of the coolest characters in recent cinema history. It does go some longish spells without zombies and there aren’t that many in general, but the script and humour keep things rolling despite the story never really going forward. There’s some great and graphic gore throughout and the slow-mo blood-drenched credits are brilliant. The 15 minute cameo spent massaging BM’s ego was nothing more than filler. It’s really enjoyable and will have finished before you know it. Top drawer zombie/road movie.

Score: 7.5/10