Prisoners: When two six-year-old children go missing the local detective and one of the parents try to solve this with two completely different methods. This has a great cast, and leads with Jackman and Gyllenhal, who are both in great form; one as an unconventional detective, he other as a pragmatic father with everything to lose. I feel rather sorry for Paul Dano however; he only ever appears to get cast as creepy and/or insane and/or perverted characters. The film’s mood is beautifully crafted: it’s slow, brooding, and intense with lots of sustained anxiety – child abduction is a heavy enough subject, but when you add torture and a potential creepy cult into the mix it’s serious stuff; it reminded me of watching Kill List and feeling suffocated in parts. The city and the suspects are perfectly shot to look grimy, grotty, dilapidated and repulsive. Although it centers on a ‘micro drama’, there are plenty of larger questions and ideas lurking in the background, challenging your viewpoint and making you choose who’s wrong, who’s right, who would you be in this film? Prisoners is a completely gripping and compelling thriller about ordinary people in extreme situation; and while it’s not an ‘enjoyable’ film per sé, it’s completely immersive.
Sabotage: a D.E.A. legend and his off-the-rails team of undercover NARCs are being hunted down by a cartel for skimming off $10M of the gang’s money in a recent raid. I know, I know, this one’s never going to win any awards – but in a world where studios are pussying out of 18-rated movies right, left, and center this is like a breath of fresh (or rotten) air. A dark, violent, dingy film that harks back to the 70s–90s cop films that had plenty of grit and edge. From the writer of Training Day, Street Kings and End of Watch you know you’re in good hands here. Machismo’d to the rafters, there’s a whole lot of big-dick swinging, heavy swearing, ‘cop banter’ – and the women in here are strippers, ‘sluts’ or a general nuisances to the lads. The story’s not as black-and-white as it first seems, and neither are the characters – as the film balances both intense action scenes with a well-crafted thriller storyline. You either love these sort of films, or you hate ‘em; and for me, Sabotage is a decent, violent cop film with a rock-solid ensemble cast and an interesting enough story to keep you tuned in.
Iron Man: takes far, FAR, too long to get in to the good stuff, although I guess it’s good to build up the characters a bit. Downey Jr plays his role pretty well, although it’s the typecast of himself he’s been playing for decades. For an action film there wasn’t actually that much action, and what there was wasn’t amazing / memorable. The bad-guys aren’t particularly evil or scary. Some good jokes peppered through the film. Spent the whole film waiting to hear the intro of the Ozzy version of Iron Man, but this didn’t happen. Stick around after the credits because there’s a 20 second skit that tees up sequels (and will give all Marvel fans a hard-on). Finally, when he’s flying, his posture is similar to that of a transvestite / drag queen – i.e. not very super-hero like. All in all, after looking at a few review sites online I can not believe I’ve not seen any particularly bad ones as it’s NOT an amazing superhero film like Batman Gegins, Spiderman 1/2 or X-Men.