Boardwalk Empire (Season 1): 1920s prohibition drama mostly following the racketeer Enoch Thompson, who controlled Atlantic City. There are lots, and lots of factions and institutions interacting with each other, not to mention around a dozen well-rounded, complex characters. It’s extremely well-cast; nobody stands out as being too little or too much, and with this many characters, they’re all physically distinguishable – a great job from the casting team. There are too many outstanding performances to mention in this cast of accomplshed actors, but I felt most sorry for Michael Shannon who does a magnificent job with the hardest character, a Prohibition Agent of extreme (almost comedic) faith and morals… Shea Whigam as Sherriff Eli Thompson also impresses with unbelievably great acting, and Jack Huston is superb as a ruined, deformed WWI vet. There’s an impressive level of throwaway period detail in the background, costumes, homes and through conversation. The visual effects to recreate the era are also impressive, and when tag-teamed with some brilliant old-fashioned music/entertainment it’s a solid nostalgia trip. Strangely, there’s an outrageously high level of gratuitous nudity for such a solid TV show, somewhat unnecessary, but hey, I ain’t complaining. This isn’t dip-in / dip-out TV, nor is it for the easily offended or faint hearted – it’s graphic, there’s adultery, sex, debauchery, racism, religion… and that’s just for starters. Boardwalk Empire is entertaining, dramatic, funny, and fascinating for the duration, and never really puts a foot wrong. Must see TV.
Con Air: a released prisoner (former U.S. Ranger) gets caught up in a plane hijacking carried out by the criminal cargo. This is one of the best examples of ridiculous, over-the-top 90s action films (homage to 80s). There’s something about the huge fiery explosions, big loud action and epic weeping / heroic guitar licks that plunges me right into these films. Cage, despite being laughably shit and doing THE worst accent in the history of cinema, holds the film together surprisingly well. Malk is the perfect villain – whose calmness only makes him more terrifying – and his band of crazy henchmen are all gratuitously evil. Cusack is good, but his dashing young looks always make him feel miscast as an authority figure. Everything towards the end of the film (In Vegas) is beyond excessive, ludicrous, and poorly cut – but I guess that’s Vegas for you! Held together by the supercast this is a solid, big action, big entertainment, film that still holds up well.
Reservoir Dogs: (Blu Ray) Follows a bunch of – not so – professional criminals after a botched heist – Tarrantino’s debut. Like his later movies this one is stuffed with obscure music, bloody violence, fragmented storytelling, and dangerously high levels of pop-culture. Harvey Keitel and Steve Buscemi lead the cast for me, but you can’t really fault anyone’s performance. It’s stylish, some of the longer shots are frighteningly smooth & effective and there’s cool ideas peppered throughout; standout being the anecdote about the drug deal being told in various situations. The realistic and brutal violence will shock some, and even for the start of his career the homage isn’t subtle. Like his other early works it’s also questionably racist – strange gamble for an up-and-coming director. The picture’s alright in parts but the sound’s quite rubbish, not worth the BD upgrade. Although the story and characters aren’t groundbreaking, you can’t deny how original the delivery and presentation are. Cult classic, and rightly so.