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Tag Archives: stammer

22 Bullets (aka The Immortal): A retired mobster-turned-family-man gets left for dead with 22 bullets in him; once recovered, he’s out for revenge, and nothing’s going to stop it. Instantly, you realise that technically, this film is the definition of slick: camerawork, direction, editing, music, and acting – all fantastic. After the initial 30 minutes of set-up and character introductions the rest is all plot progression and action, of a high standard; car chase, bike chase, shootouts, assassinations etc. Reno‘s still got it, most evidently in a couple of high-intensity scenes where he succeeds in sucking you straight into the film, and gets you rooting for the antihero. The female police officer (Foïs) also stands above the bar, although there are no duds in the cast. The publicity material plays off of Leon/The Professional, but this is as good a stand-alone film. While it may not be one of the most original revenge stories, it sticks to the tried formula and comes out way above average. Recommended.

Score: 7/10

Richard Pryor Live in Concert: a 74 minute stand-up show filmed at one of Pryor’s 1978 gigs. Starts with an onslaught of “Whiteboys do this stupidly, niggers do it a different way” observations, although they weren’t as frequent after the first 15 minutes. In the course of this he covers topics as diverse as: police methods, dogs, death, fathers, camping, boxing, running, kids, Chinese people, and sex all with enthusiasm and fantastic execution. As someone that’s performed stand-up live and enjoys the genre, it’s clear that Pryor was light years ahead of the curve with his personification of things, delivery, voices and acting. Unfortunately, because this gig – and Pryor – are now so famous all of the best bits are shown on every TV clip show and countdown. Although it’s clearly a great performance, the focus of race throughout puts me off a bit. Pretty dated, slightly risque but unquestionably funny.

Score: 5.5/10