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Mad Max 4 Fury Road GUITAR GUY Tom Hardy, Charlize Theron, Nicholas Hoult, Hugh Keays-Byrne, Rosie Huntington-Whiteley, Riley Keough, Zoë Kravitz, Abbey Lee, Courtney Eaton, Josh Helman, iOTA

Mad Max: Fury Road – in a bleak future where oil and water are scarce and controlled by gangs, two rebels at different ends of the system go head-to-head with the status quo. From the opening scene the aesthetic of the movie feels fresh and unique – like a cross between a high-production Slipknot video, and a demented steampunk circus gone wild; it’s like nothing else you’ll see on the big screen with this much budget behind it. Everything about Fury Road is certified batshit mental – the ganglords and their henchmen are all grotesque and eccentric with masks, nipple clamps, and caricatured physicalities. Big shout out to the ridiculous moshing / headbanging gayerish masked flamethrower guitarist suspended to one of the armored rigs – not just a mascot for his clan, he perfectly sums up everything that’s demented but enjoyable about this movie. The score is another crucial element that lifts the film far beyond mediocrity; a mix of classical orchestral licks paired with magniloquent tribal drumming – it’s a delight to listen to, and keeps your pulse racing. Conceived in 1998 and spending until now in ‘development hell’ or cancelled, Mad Max 4 is 100% worth the wait. A balls-to-the-wall straight up action movie that has it all; epic and sustained action set-pieces that continually impress; great actors, and set in a unique and impressive world – just shut down your PC right now and go see it on the biggest screen you can find.

Score: 8.5/10

FRD-08534.JPG Mad Max 4 Fury Road Chase Tom Hardy, Charlize Theron, Nicholas Hoult, Hugh Keays-Byrne, Rosie Huntington-Whiteley, Riley Keough, Zoë Kravitz, Abbey Lee, Courtney Eaton, Josh Helman, iOTA 2

Rollerball: ‘updated’ re-make of 1975 classic. NHL potential heads over to the Soviet Bloc to partake in a dangerous sport. Opens with an awesome downhill street luge race through ‘cisco. Everything about Rollerball is totally macho: the sport, cars, bikes, heavy metal, technology, steel, babes, action… which begs one question: who cast the effeminate Chris Klein as the hero? He’s far too nice & boyish to be a convincing gruff badass – and looks ridiculous with fake stubble. Even LL Cool J is a bit cuddly these days. Surely a pair of real badasses would have been more appropriate!? The industrial / metal music’s used well for heightening the action scenes and it seemed to borrow visuals from the Running Man, Starlight Express and PS1 game Dead Ball Zone, neither of which is a bad thing. Some crazy spot-the-cameo moments. The last half hour absolutely ruined the film with a lame night-vision chase, feeble sound effects (boi-oi-oing), a clichéd ending, poorly edited action, and the super-crap super-dated symbolism of an American starting a revolution on Soviet territory. Not quite ‘RollerBollocks’, but not far off.

Score: 3.5/10