Archive

Tag Archives: Sharlto Copley

hardcore-henry-transplant-arm-sharlto-copley-danila-kozlovsky-haley-bennett-tim-roth-andrei-dementiev-svetlana-ustinova-darya-charusha-oleg-poddubnyy

Hardcore Henry (Хардкор): when he is resurrected with no memory and new robotic limbs, Henry must save his kidnapped wife from a telekinetic psychopath who has plans to weaponise a robo-army. From the opening credits (graphic, but blackly comic violence) you can tell this isn’t your usual action film – most of the movie is shot from a ‘First Person’ perspective, from the point-of-view of ‘Henry’ using an intricate head-cam rig. The film is basically 90 minutes straight of Henry running / jumping / shooting / punching through a long line of obstacles; with some awesome freerunning & parkour (seemingly no wires – or brains!), and high intensity and very high quality stuntwork: the elements combine to create a truly unique  and awe-inspiring action spectacle. There’s also a great anarchic/punk sensibility to the movie; anything goes, and there’s a lot of crazy & zany elements… it even using things like subtitles to make a few jokes with. The biggest problem is that when everything is up at 150% the whole time, you end up becoming a bit numb to it towards the end. Another downside of the FPS style is that the camera is very shaky and has a warped fish-eye lens which distorts a lot of the outer frame. Hardcore Henry is a film that is truly cutting edge, in that it couldn’t have even been made a couple of years ago – the only remotely close comparison you could draw would be a less offensive, but higher-octane version of the Crank films. It’s fun, impressive, and completely mental, but overall struggles to engage after a while. Best viewed after consuming a twelve pack of Red Bull.

Score: 7/10

hardcore-henry-cleavage-sharlto-copley-danila-kozlovsky-haley-bennett-tim-roth-andrei-dementiev-svetlana-ustinova-darya-charusha-oleg-poddubnyy-will

NOTE: The entire film was spawned from this music video – if you fancy 90 mins of this, look no farther than Hardcore Henry.

hardcore-henry-tramp-sharlto-copley-danila-kozlovsky-haley-bennett-tim-roth-andrei-dementiev-svetlana-ustinova-darya-charusha-oleg-poddubnyy-will-st

hardcore-henry-poster-sharlto-copley-danila-kozlovsky-haley-bennett-tim-roth-andrei-dementiev-svetlana-ustinova-darya-charusha-oleg-poddubnyy-will-s

Advertisement

Elysium 2 Matt Damon, Jodie Foster, Sharlto Copley, Alice Braga, Diego Luna, Wagner Moura, William Fichtner, Jose Pablo Cantillo,

Elysium: in the near-future humans are divided into the haves and have-nots; with poverty and crime rife on a polluted earth and the 1% (!!) enjoying an idyllic and disease-free lifestyle in a giant space structure. I think this is about health care in America, although can’t be sure… To cut to the chase, I don’t believe that this is in the same league as District 9, but partly because a lot of the film’s tone and aesthetics appear to lean heavily on the ‘look and feel’ of Bloomkamp’s previous film. The story is also quite similar although less of a subtle political under-current, and more of an in-yer-face affair. While it’s bigger, brighter, shinier, and louder than his previous film, Dirctric 9 takes a lot of the wind out of Elysium’s sails, as you feel like you’ve seen a lot of this before – and in the end, it just gives you with a craving for prawns.

Score: 6/10

Elysium Matt Damon, Jodie Foster, Sharlto Copley, Alice Braga, Diego Luna, Wagner Moura, William Fichtner, Jose Pablo Cantillo


District 9:
part-documentary about life in South Africa 20 years after aliens first landed on earth. This is an unbelievably fresh take on the alien/sci-fi movie and when you pair the idea with such outstanding graphics, the film looks and feels a thousand times more real and believable than the clichéd outer-space bloodbath. Despite his radical transformation, the acting – pretty much one guy – is very good, and remains believable. It’s quite messy, but the blood, gore and black comedy makes this feel more like Braindead / Bad Taste – ‘specially the alien guns! The last 30 minutes are crammed with cheesy blockbuster action, which feels wrong here and is a bit of a let down: I also hate how humans can use complex, alien machinery without training! South African’s will no doubt pick up the racism and poverty undertones, although they’re not in your face (unless you’re Nigerian or a Nigerian Scammer). It’s a well-made and very fresh idea, that passes far to quickly but falls short in the last quarter. Leaves you hungry for prawns. Second viewing in a year, still great.

Score: 8/10

The A-Team: a crack commando unit gets sent to prison by a military court for a crime they didn’t commit; these men promptly escape and try to clear their name, by any means possible! It was an honourable attempt at a decent story, which was good in parts but landed somewhere between you’re average Seagal and Bourne Flick. You get what you see with the simple characters, but it’s hardly a character piece. Hannibal/Neeson looked uncomfortable throughout, but Murdoch/Copley picks up all the slack, and ends up the film’s real star. Patrick Wilson‘s also decent. The action was great, and should leave you grinning ear to ear because it’s cool & gratifying escapism (flying tanks, mad stunts, explosions, dogfights…) right up until the last big play where it got so ridiculous that CGI had to take over. We got a solid 3 months of hype in the UK so I wasn’t expecting much, but The A-Team is simply an enjoyable, over-the-top action film. Probably 20 minutes longer than it should be, but much better than expected.

Score: 7.5/10