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Sabotage Arnold Schwarzenegger, Sam Worthington, Olivia Williams, Mireille Enos, Terrence Howard, Joe Manganiello, Josh Holloway, Harold Perrineau, Martin Donovan

Sabotage: a D.E.A. legend and his off-the-rails team of undercover NARCs are being hunted down by a cartel for skimming off $10M of the gang’s money in a recent raid. I know, I know, this one’s never going to win any awards – but in a world where studios are pussying out of 18-rated movies right, left, and center this is like a breath of fresh (or rotten) air. A dark, violent, dingy film that harks back to the 70s90s cop films that had plenty of grit and edge. From the writer of Training Day, Street Kings and End of Watch you know you’re in good hands here. Machismo’d to the rafters, there’s a whole lot of big-dick swinging, heavy swearing, ‘cop banter’ – and the women in here are strippers, ‘sluts’ or a general nuisances to the lads. The story’s not as black-and-white as it first seems, and neither are the characters – as the film balances both intense action scenes with a well-crafted thriller storyline. You either love these sort of films, or you hate ‘em; and for me, Sabotage is a decent, violent cop film with a rock-solid ensemble cast and an interesting enough story to keep you tuned in.

Score: 7/10

Run Fat Boy Run: the first 20 minutes tee’d the film up nicely but after that it rapidly digressed into an utterly predictable and unfunny folly. Pegg looks out of his depth with drama, and (to be brutal!) doesn’t really have the looks for it. You get the feeling Schwimmer googled ‘Mainstream British Actors’ then ‘Mainstream British Music’ and figured out what he could afford. It’s full of british stereotypes, unoriginal slapstick jokes, and follows an ultra safe, tried-and-tested formula. The film’s easy on the eye because it’s like Hollywood took a trip to London. I just wish I could have ran my marathon with 3 weeks of half-assed training!

Score: 3.5/10