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Tokyo Tribe Buppa Nana Seino, Ryōta Satō, Junsuke Daitō, Takuya Ishida, Yui Ichikawa, Mika Kano, Shoko Nakagawa, Shōta Someta, Denden, Yōsuke Kubozuka, Riki Takeuchi, Bernard Ackah, Yoshihiro Takayama, Arata Matsuura, Panda UnitedTokyo Tribe (AKA Tokyo Tribe2, トウキョウ トライブ トゥー, Tōkyō Toraibu Tū): near future Tokyo is divided into sections ruled by street gangs; but war is about to breakout when one gang tries to take over. Just when you think you’ve seen everything from Japan they throw out a West Side Story style film, acted out almost entirely though musical rap battles – a Hip-HOpera! It’s a sweet idea to begin with, but at two hours long it’s stretched to the limit; the continually repeated drum breaks become grating, and forcing the lines to rhyme means the dialogue feels clunky in parts – although it could be lost in translation. Also, because modern music videos have massive production, parts of this look a bit cheap in comparison. The set and character designs are impressive, epic sprawls of graffiti’d urban decay, futuristic nightclubs, and a grand dining room. Not that this needed it, but the manga origins give this licence to be crazy with some hammy acting (Buppa), big haircuts, robo-mecha babes… classic Japan! The action is well executed, and the large-scale finale battle is particularly impressive. It feels like the director knew that the rap-battles would only be novel for so long (it doesn’t help that the narrator / central character is uncharismatic) so he throws up something risqué every 5 mins or so to perk you up; gratuitous nudity and fondling, or provocative and controversial dialogue. From the director of Love Exposure and Cold Fish, this couldn’t be more different – but it’s an even more ambitious, unique, and admirable feat than those.

Score: 5/10

Tokyo Tribe Gang Leaders Nana Seino, Ryōta Satō, Junsuke Daitō, Takuya Ishida, Yui Ichikawa, Mika Kano, Shoko Nakagawa, Shōta Someta, Denden, Yōsuke Kubozuka, Riki Takeuchi, Bernard Ackah, Yoshihiro Takayama, Arata Matsuura, PandaTokyo Tribe Mika Kano Nana Seino, Ryōta Satō, Junsuke Daitō, Takuya Ishida, Yui Ichikawa, Mika Kano, Shoko Nakagawa, Shōta Someta, Denden, Yōsuke Kubozuka, Riki Takeuchi, Bernard Ackah, Yoshihiro Takayama, Arata Matsuura,Tokyo Tribe Gira Gira Prostitutes Dominatrix Whip Nana Seino, Ryōta Satō, Junsuke Daitō, Takuya Ishida, Yui Ichikawa, Mika Kano, Shoko Nakagawa, Shōta Someta, Denden, Yōsuke Kubozuka, Riki Takeuchi, Bernard Ackah, Yoshihiro Takaya
Tokyo Tribe Poster Nana Seino, Ryōta Satō, Junsuke Daitō, Takuya Ishida, Yui Ichikawa, Mika Kano, Shoko Nakagawa, Shōta Someta, Denden, Yōsuke Kubozuka, Riki Takeuchi, Bernard Ackah, Yoshihiro Takayama, Arata Matsuura, Panda Unite

JAPANORAMA - Metal Lord BANNER JAPAN-O-RAMA.jpgBig Man Japan 01 Hitoshi Matsumoto, Riki Takeuchi, Ua, Ryūnosuke Kamiki, Hiroyuki Miyasako, Daisuke Miyagawa, Shion Machida, Daisuke NagakuraBig Man Japan (大日本人 Dai Nipponjin): every time a monster appears and threatens the nation, ‘Big Man Japan’ is called upon to fight it off. A mockumentary superhero movie like no other, this is part monster-fighting CGI and part humdrum, everyday issues of an off-duty superhero – wage concerns, pension problems, the effects on your family – all quite quirky and different. There’s a few really gutsy / interesting lines, one in particular about Japanese people not being “anti-American”, but being brought up ‘a little bit like that’ – very interesting, and something that’s very rarely addressed in other movies. There’s a streak of very bizarre – absurd – humour that runs through the movie. There’s not a lot of laugh out loud moments, (mostly very, very low-key, mumbly, superdry dialogue) but when they pop up, they are really funny. The films looks like it’s heading towards a classic showdown, when it – for no apparent reason – changes into an Ultraman / Power Rangers type TV show spoof; which doesn’t really match the rest of the movie and feels like a stupid way to end it. The premise is completely brilliant, but instead of doing it justice, the film feels like it’s concentrating more on it’s genre-ending message that Japan doesn’t really want to tolerate any more monster movies.

Score: 6/10

Big Man Japan 02 Hitoshi Matsumoto, Riki Takeuchi, Ua, Ryūnosuke Kamiki, Hiroyuki Miyasako, Daisuke Miyagawa, Shion Machida, Daisuke Nagakura