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Justified Season 6 Timothy Olyphant, Nick Searcy, Jere Burns, Joelle Carter, Jacob Pitts, Erica Tazel, Walton Goggins, Sam Elliott, Mary Steenburgen, Justin Welborn, Garret Dillahunt, Rick Gomez, Duke Davis Roberts, Patton Oswalt,

Justified: The Final Season (Season 6) –  Old-school kick-ass US Marshall Raylan Givens tries to put his lifelong nemesis Boyd Crowder behind bars before he gets re-posted to Miami. I didn’t get round to writing up reviews of Seasons 4 & 5 as they felt like the show was resting on its laurels – but Season 6 brings back all of the elements that make Justified a great show to watch; well written storylines and characters, fantastic dialogue, and a thick streak of humour – it’s entertaining TV in its purest form. The writing is particularly special in this season, which boasts an intricate, overlapping and multi-layered story that sees the upper hand continually shift between the law, and Harlan’s various quibbling crime factions. Everyone that’s still alive gets drafted back in, and because it’s the final season there’s no shortage of people being written out either – usually at the behest of Boyd, to make him seem more dangerous than the last few seasons. The only thing that is missing is a baddie that matches the villainous heights of Quarels or Maggs Bennett – or even a consistent henchman – but with all of the other fireworks going on, it’s not as big a deal as the previous seasons. The final 20 mins our may divide people, as it plays out in an ‘X years later’ fashion, trying to round everything off. Season six had a major legacy to uphold and close out, which it managed comfortably, while staying true to the characters, which are the biggest draw to the show – Olyphant and Goggins will always be Raylan and Boyd to Justified fans. Season six is a satisfying conclusion to one of the most enjoyable and truly entertaining shows on TV – sad to see it hand over its gun and badge.

Score: 9/10

The Informant!: follows ADM executive Mark Whitacre, and his turbulent relationship with colleagues and the FBI during a global corporate price-fixing conspiracy. What hits you first is the lo-fi, softly lit yellow hue’d, old-skool, late 1960s TV aesthetic that dominates the style – no film has looked like this for decades, which makes it stand out. To match this there’s a snappy, finger clickin’ jazzy soundtrack with a hint of old spy movie about it – no coincidence there. Damon is superb as the conflicted lead in both his  performance and physical transformation – a tubbier frame, moustache and wig puts decades on him. The supporting cast are interesting choices given the number of out-and-out comedians giving restrained performances – but it works. The Informant! boils down to being a two-man show: one at each side of the camera lens. Soderbergh has taken a massive corporate crime story and turned it into a quirky little white-collar caper – and whilst it’s entertaining enough, the story would have had more impact as a flat-out documentary.

Score: 6/10