Killers (キラーズ, Kirazu): a serial killer who uploads his work to a ‘DeathTube‘ site inspires an everyman to go vigilante. It’s the first time in a while that I’ve seen directors harness everything down to the distributors & funders logos to add to the film’s aesthetic; and with this level of detail from the get go, the film is technically admirable – sound, editing, camerawork etc. The opening 5 minutes really set the mood, with a shocking and ultra-graphic murder: the violence slowly escalates and darkens as the runtime progresses. Unlike The Raid‘s gritty-but-styalised – and even poetic – gore, this film is just plain gritty. One killer is a savvy psychopath fit for Dexter, the other is an everyman pushed over the edge, Falling Down style. Another unique aspect is that it’s a collaborative effort from two directors (The Mo Brothers – not real brothers), filmed in two locations – Japan and Indonesia – with English spoken parts when the two leads interact; it doesn’t hinder the film’s international appeal, although something feels lost in translation story-wise. At 140 minutes it does lose feel rather long-winded and intricate for what is essentially a serial killer movie with a disjointed story and not much in the way of themes or messages. If you like your gore gory, and your films stylish this ticks both boxes – although not a lot else. The main stars of Killers are the directors, who with more focus (shorter runtime and tighter story) could pose a serious threat to Gareth Evans as the king of contemporary Indonesian action.