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Hardcore Henry (Хардкор): when he is resurrected with no memory and new robotic limbs, Henry must save his kidnapped wife from a telekinetic psychopath who has plans to weaponise a robo-army. From the opening credits (graphic, but blackly comic violence) you can tell this isn’t your usual action film – most of the movie is shot from a ‘First Person’ perspective, from the point-of-view of ‘Henry’ using an intricate head-cam rig. The film is basically 90 minutes straight of Henry running / jumping / shooting / punching through a long line of obstacles; with some awesome freerunning & parkour (seemingly no wires – or brains!), and high intensity and very high quality stuntwork: the elements combine to create a truly unique  and awe-inspiring action spectacle. There’s also a great anarchic/punk sensibility to the movie; anything goes, and there’s a lot of crazy & zany elements… it even using things like subtitles to make a few jokes with. The biggest problem is that when everything is up at 150% the whole time, you end up becoming a bit numb to it towards the end. Another downside of the FPS style is that the camera is very shaky and has a warped fish-eye lens which distorts a lot of the outer frame. Hardcore Henry is a film that is truly cutting edge, in that it couldn’t have even been made a couple of years ago – the only remotely close comparison you could draw would be a less offensive, but higher-octane version of the Crank films. It’s fun, impressive, and completely mental, but overall struggles to engage after a while. Best viewed after consuming a twelve pack of Red Bull.

Score: 7/10

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NOTE: The entire film was spawned from this music video – if you fancy 90 mins of this, look no farther than Hardcore Henry.

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JAPANORAMA - Yorstat  BANNER JAPAN-O-RAMA01 - The Streetfighter Street Fighter 1974 Sonny Chiba, Shinichi Chiba, Yutaka Nakajima, Goichi Yamada, Masashi Ishibashi, Jirō Chiba, Etsuko Shihomi, Masafumi Suzuki, Nobuo Kawai, Ken Kazama, Fumio Watanabe

The Street Fighter (激突!殺人拳): a highly skilled martial-artist is betrayed by mobsters, so he offers up his protection to their next target. What knocked me out is that the centre of this exploitative, ultra-violent, B-movie there’s a layered, intricate, badass, mercenary anti-hero – a great performance from Chiba, who does his complex character justice. There’s a whole lot of playing on the mystique of Karate (techniques, block breaking showboating, large-scale training etc), and more generally the exotic east. The fights and clever stunts are all mighty-fine from the opening through to the ‘boss fights’, and knockout ending: although most are accompanied by some peculiar primal/pneumatic sounds and facial expressions on Chiba’s part. The story’s simple but effective and contains some surprisingly dark and seedy aspects – assassins, mafia, firing squads, prostitution – pretty hard stuff for this era. The direction is also top-rate: stylish and flashy when it needs to be, and no-nonsense handling of the action scenes. Put it all together and this is quite simple a masterpiece in Kung-Fu cinema – blood, guts and tons of action that still feels both shocking and brutal 40 years on. The Street Fighter is an absolute must-see for all fans of action cinema.

Score: 9/10

02 - The Streetfighter Street Fighter 1974 Sonny Chiba, Shinichi Chiba, Yutaka Nakajima, Goichi Yamada, Masashi Ishibashi, Jirō Chiba, Etsuko Shihomi, Masafumi Suzuki, Nobuo Kawai, Ken Kazama, Fumio Watanabe

Just ripped off another guy’s junk (in hand)

03 - The Streetfighter Street Fighter 1974 Sonny Chiba, Shinichi Chiba, Yutaka Nakajima, Goichi Yamada, Masashi Ishibashi, Jirō Chiba, Etsuko Shihomi, Masafumi Suzuki, Nobuo Kawai, Ken Kazama, Fumio Watanabe

Sttandard reaction to a skull-spliitting punch

04 - The Streetfighter Street Fighter 1974 Sonny Chiba, Shinichi Chiba, Yutaka Nakajima, Goichi Yamada, Masashi Ishibashi, Jirō Chiba, Etsuko Shihomi, Masafumi Suzuki, Nobuo Kawai, Ken Kazama, Fumio Watanabe

Not all sensational: there’s plenty, bold & striking imagery on display too.