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Awake is an American television police procedural fantasy drama, created by writer and executive producer Kyle Killen, that centers on Michael Britten (Jason Isaacs), a detective living in two separate realities after a car accident. In one reality, in which he wears a green wrist band, his wife Hannah Britten (Laura Allen) was killed in the crash, and in another reality, in which he wears a red wrist band, his son Rex Britten (Dylan Minnette) was the one killed. Michael does not know which reality is real. He sees two separate therapists: Dr. Jonathan Lee (BD Wong) in the "red reality", and Dr. Judith Evans (Cherry Jones) in the "green reality".

Awake (Series 1): after a fatal crash a cop lives two lives, one where his wife survived, the other where his son did – he’s just not sure which one is his dream. It’s a high-concept show, but it helps that both ‘realities’ are instantly distinguishable: different partners, cases, therapists and to further aid distinction, one has a cold turquoise hue, whilst the other is a glowing amber colour. The first 10 episodes are basically dual-homicide investigations, where details from one world are subconsciously pointing Detective Britten towards the clues in another, very interesting, and easy to roll with. There’s a much bigger story/conspiracy that’s infrequently – but ominously – mentioned, although it doesn’t materialise until Ep10. (Hello to) Jason Isaacs is fantastic, having a difficult dual-role and really shining towards the end of the series when his character and psyche starts to buckle under the stress. The rest of the cast are all decent, but it’s a one-man show. Episodes 10-13 are fantastic, thrilling and adrenaline-pumping, leading in to the final 15 minutes of the series; which has Inception levels of mind-bending inner-consciousness, in which it looks like we’re going to see a definitive, wrapped up, (brave) one-season deal – then WHAM… a wholly unnecessary – series tainting – final scene. Despite that, Awake is a fresh, new and interesting twist on quite a stale, overcrowded format & genre. Top production, writing, acting and more family/police procedural than action thriller – it’s very watchable top-drawer Telly.

Score: 8/10

24 – Season 8: Quite a strange season. The episodes seemed to alternate between good and boring; but when it was boring it centres around the political aspect of the story, which bogs the entire season down and doesn’t have shit on the Palmer years. Because all the good people get killed off for dramatic effect the acting roster’s diluted beyond recognition. In the crap corner we have President Taylor. Dana Walsh, Rob Weiss, Charles ‘the human scrotum’ Logan, Kim Bauer, Meredith Reed… Most of the others are in the middle of the ring, sketchy at best – exceptions being rock solid Ethan Kanin, Michael Madsen super-typecast cameo and Dailia Hassan; who single-handedly blows the rest of the cast away with her intense performance. Jack’s looking older, but still talking ridiculously fast, and if there ever was a moral line he’s been treading for the past 7 years he finally flies over the edge – which sees his story change from the familiar risque agent to a full-on revenge rampage. Story-wise the plot-holes were more like black holes; Rene (real or fake?) infiltrating the Russian mob for five years… mmmmm, that wasn’t mentioned before, and the token mole was so rubbish and predictable. Given all of the memorable twists, turns, highs and lows through all eight seasons the ending was a very, very disappointing cop out, leaving the scope of the upcoming movie wide open. There were a few great scenes and turning points but in general we had seen everything here before.

Score: 5.5/10

Note: I’m actually relieved that it’s finally been axed because the show and format had ran out of ideas around season 3. It was like to watching a new pet grow up, have its glory days, then become lamer and lamer to the point where it needed to be taken into the garden and smashed over the head with a brick, for its own sake.