Train to Busan (AKA 부산행, Busanhaeng): follows a ragtag bunch of commuters as a zombie outbreak sweeps through South Korea – and their Train. Mostly killer and very little filler, this is about as fun and enjoyable as a zombie apocalypse film can get. All of the populist and barnstorming zombie staples are there – namely hoards of ultra-twitchy and energetic zombies gorily ripping their way through everything and everyone in their path. Not unlike Snowpiercer, the train is a great way of offering up a diverse cross-section of society, which leads to some light social commentary and comedy moments. It’s a tight and straightforward film that has a punchy setup, then revels in the crimson spectacle of a drawn-out zombie attack. The action is all well-handled and there’s some nice dramatic moments thrown in for some respite and balance. The only minor niggle is that it loses it’s way a little in the final act and gets a bit too Hollywood / 28 Weeks Later. Overall, this has all of the prime cuts that you want from Zombie film, and none of the offal (except for buckets of brains and guts!)
Arrested Development (Season 2): with George Bluth on the run, the family must march on without him, and Michael must keep the Bluth Company – and his family – under control. This is my third time watching through AD and in reflection it’s so obvious why a show like this was destined to fail on TV. The biggest problem is that the running gags are subtle, and would be easy to miss if there were 7 days (let alone weeks) between the episodes. With the DVDs however, you can bash through a season in a few nights and really appreciate the fine writing. In saying that, S2 tries to address this by having clusters of jokes that are confined to an episode; like the ‘Charlie Brown’ slow walking, Gene Parmesan, etc. The biggest step up for me is lot more brilliantly timed physical comedy: chicken dances, face pulling, slipping, and Mrs Featherbottom’s spectacular Mary Poppins moment. Once again the brilliant ensemble cast of comedic actors does great things with well-written characters. This should be mandatory viewing for anyone that enjoys comedy TV – almost a decade later and it still puts most shows to shame.
“I just blue myself”