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Limitless: a washed-up writer discovers a drug that can unlock the brain’s full potential, spectacularity ensues! Most memorable is some of the great photography and interesting filming techniques, the shots that go from block to block, colour contrast… The story’s also pretty interesting, and it doesn’t follow a particular formula too much. Knowing it’s a hack sci-fi story, the film’s played for both drama and laughs with a few massive WTF moments for no real reason (Ice Skates, blood etc) – certainly made for in interesting viewing! Bradley Cooper‘s just Bradley Cooper, but this plays to his strengths. De Niro plays a focker-esque caricature of the squinting macho male he’s done since nineteen oatcake – very disappointing. Despite being somewhat ironically limited (a single idea spun out a bit too thinly) Limitless is a decent, memorable, interesting popcorn action flick.

Score: 6.5/10


London Boulevard: the story of an ex-con fresh out of a stretch in the joint, determined to go straight, and avoid the trap of falling back into London’s underbelly. This has two too many stories playing out, in separate dedicated chunks, that never really come together: we’ve got Farrell and Knightley’s relationship, the gangster aspect, beggar’s retribution and sister saviour – any of which could be the main plot of a normal film and would have made a solid story – rather than being side-stories all competing for prominence. As the locations flip between the streets of London and a country manor you realise that this is an outsider’s rose-tinted view. On the upside, it’s rather well shot and the acting’s pretty good: David Thewlis is indisputably the most watchable (and has the best lines, including “if it weren’t for Monica Bellucci she’d be the most raped actress in European cinema” quote of 2010 for me). Farrell‘s also pretty decent – despite regressing into a South African accent now and again. Ray Winsone‘s growing a bit tiresome, and needs to branch out or give it up – he plays the same character, with the same lines (just changing the names) in pretty much every film – the likability factor isn’t helped when these characters are outrageously racist. The final product is a Guy Ritchie imitation, but with less flare, less interesting characters and too many strands. Other than the memorable ending, the rest of London Boulevard is passable at best.

Score: 4.5/10