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Generation Kill Battalion Unit Alexander Skarsgård, James Ransone, Lee Tergesen, Jon Huertas, Stark Sands, Billy Lush, Jonah Lotan, Wilson Bethel, Pawel Szajda, Chance Kelly, Eric Ladin,

Generation Kill: an honest and accurate account of the 2003 Invasion of Iraq – told from the perspective of a journalist riding with an elite Marine battalion. Several things come together to make this an exceptional miniseries: i) the ensemble cast is phenomenal – you don’t for a second feel like they’re not real soldiers or real people spittin’, shittin’ and singin‘ their way through a dangerous and unfamiliar country; ii) the dialogue, interactions, plot and shooting style make this feel ultrarealistic: you’re sitting in the Humvee with the battalion; seeing their choices, struggles and the ‘greyness’ of the scenarios in which they’re left to operate in – corpses everywhere, very little action, not much heroics, and all part of the larger, poorly-led mess of an invasion. You also get a warts and all picture of the military: how the chain of command has the wrong people are in the wrong places; how some degenerates make it to the front line; the misuse of army personnel and equipment; and how they have the power to wipe out entire villages with a single decision. Despite the eye-opening shocks, action, and tension the most enjoyable parts are the inane chat and time-filling banter between the troops – and moments like the unit singing Drowing Pool’sLet the Hajis hit the floor , Teenage Dirtbag, or Sk8er Boi are pure television. The only gripe I have is that some of the night-time scenes are infuriatingly dark and impossible to see anything – let alone follow what’s happening. Generation Kill is everything that you want from television (entertaining, informative, political) and everything you’d expect from the man behind The Wire and Homicide: Life on the Streets. Credible and incredible television.

Score: 9/10

Generation Kill Logo Title Card Crosshair Alexander Skarsgård, James Ransone, Lee Tergesen, Jon Huertas, Stark Sands, Billy Lush, Jonah Lotan, Wilson Bethel, Pawel Szajda, Chance Kelly, Eric Ladin,

Melancholia: follows a group of upper-class people with first world problems as a stray planet is scheduled to do a close fly-by past earth. This film feels like Von Trier spunked most the budget in the opening and closing 5 minutes with the arty, expensive-looking, Tree-of-life-esque scenes – then worried about filling the rest as an afterthought. For being an ‘apocalyptic drama’ there’s not enough apocalypse or drama in the story for my liking. Dividing the film into two chapter-parts is ridiculous: part one is dedicated to Kirsten Dunst’s chest, at her wedding (which is brimming with pomposity) and showing us that her character is a total dickhead – this goes on for far too long. Part two is more of the same but focusing on Gainsbourg and her flaws… The film looks pretty good (cutting edge SHD Arri Alexa cameras) and is shot well barring the uber-shaky cam scenes. The acting’s also decent, but not as amazing as is being made out. The bottom line here is that it appears Mr Von Trier seems to have lost his flare for proper stories and proper storytelling. Annoyingly boring, really should have walked out.

Score: 1/10