Thirst: after a failed experiment a priest develops an urge to drink human blood, it doesn’t help that the world thinks he’s blessed by god, and he’s falling in love. For most of the runtime the film never really ups gear, remaining slow and intense from start to finish – the setup in particular takes time to get going. Adding to the mood are some morbid undertones (suicidal priest, very awkward sex scene etc). The final act feels like a jumbled-up mess, with lots of sudden developments and a lot to tie up, although the last scenes do save the movie. Much like OldBoy, JSA, I’m a Cyborg, and Sympathy for Mr vengeance, Park Chan Wook’s streak of offbeat, oddball and very, very black humour crops up to provide some guilty laughs. Leading man Song Kang-ho is superb to watch as his character wrestles between his moral/religious background and new-found vampire urges. The scariest part of the film is how technically proficient and well-directed it is, no matter how dingy or clinical the settings are, they’re immaculately planned, framed to perfection, and the camera movement is immense… this guy is, without a doubt, one of the best directors in the world. Whilst Thirst is a fresh, poetic, and ultra-stylish take on the crammed vampire genre, its own silver bullet is the slow pacing and lack of drama for the most part. It’s not a bad film, by any stretch, but will probably appeal most to goths and fans of vampires / blood / self-harming / sex.