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Tag Archives: Zombies

Versus: a criminal and mystic are hunted down by yakuza, who are being chased by zombies! How do you make a film with more action than the matrix? Easy, just add gallons of blood, swords, knifes, massive guns, a ton of zombies and have as many fights as you can get away with. It’s (surprisingly) directed by the same guy that did Midnight Meat Train, but don’t hold that against him as this a good effort. He did well with a low-budget: the effects very gory and good, the sound’s not bad despite being re-dubbed in a studio and the camerawork’s admirable, although 360 shots are overused. The story’s pretty thin, and the ‘big twist’ is so bad it’s good. Some of the dialogue and action is very corny, making it feel like a live-action manga adaptation. Quite looking forward to the re-make/sequel that’s being rumored at the moment. Ridiculously OTT live-action-packed ultra-stylish no-brainer hack-fest of a cult zombie flick.

Score: 6.5/10

Zombieland: the latest ‘Zom-Com’ pushing the genre further into the mainstream, follows a small band of survivors two months after a zombie outbreak. There’s thirty-odd ‘rules to survival’ although you only hear about six, which is a bit pants. The four humans carry the film well, and the chemistry between them is believable; Eisenberg plays a Michael Cera typecast and Woody Harrelson nails one of the coolest characters in recent cinema history. It does go some longish spells without zombies and there aren’t that many in general, but the script and humour keep things rolling despite the story never really going forward. There’s some great and graphic gore throughout and the slow-mo blood-drenched credits are brilliant. The 15 minute cameo spent massaging BM’s ego was nothing more than filler. It’s really enjoyable and will have finished before you know it. Top drawer zombie/road movie.

Score: 7.5/10

Diary of the Dead: maybe the first mainstream FPS horror? (It’s pre Cloverfield) Mostly filmed on 2 hand-held cameras, which surprisingly lures you right in to the action and gets the blood pumping. The atmosphere created is great, but does rely on some cheap jumps and music. It’s all a bit ‘horror 2.0′, frequently citing the ‘web, hits, bloggers, hackers, kids and how they can beat the mainstream in an emergency, which was a bit cringey. Also states people behind the camera (aimed at the media) have no limits & can’t stop filming, no matter how bad the scene in front of them gets. It’s self-referencing, with old-school broadcasts tying it in with the original film, while making a nod to resident evil (the game) as well as highlighting zombie / b-movie clichés. Above this it features the coolest deaf Aumish guy in the history of cinema! All-in it’s actually quite clever, in trying something new and modernising the franchise. It was generally poorly received so most people must be expecting a generic rehash. Much better than Land.

Score: 7/10

Zombie Town: staple zombie-flick from 2007 where zombies and bodysnatchers-esque slugs set their sights on an isolated redneck American town – a gorey mess ensues and the B-movie genre lives on! Blood, check. Gore, check. Brains, Check. Pseudo-scientist, Check. Random boobs, check. Zombie lovers will have seen this kind of film a dozen times now and it’s not the best example. Not really worth watching, so spare yourself the trauma unless you’re hell-bent on seeing every zombie film ever made… or really need some party fodder.

Score: 2/10

Tokyo Zombie: keeping Japan’s offbeat fascination with the undead ‘alive’, this black comedy is tagged as ‘Japan’s Shaun of the Dead’. Basically, it’s a movie of two halves; the first of which is pretty funny, dark, entertaining and has some top comedy violence. The second half is boring and full of poor drama, with the last 15 minutes perking up again. In true Japanese style weird, irrelevant and perverse subjects crop up throughout, and it’s got a similar look and feel to the ‘Happiness of the Katakuris’. There’s a few glimmers of good acting through the ridiculous scenes, a couple of great long takes, and a few awesome J-punk riffs in the soundtrack. Because it peeks too early I’d  check this out if you were in to your Japanese films already, but wouldn’t use this as an introduction to Asian cinema.

Score: 5.5/10

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