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S.W.A.T. – a drug kingpin offers $100M to anyone that will bust him out of prison; a special weapons and tactics (SWAT) team is assigned to make sure he checks in to the big house. Most evidently, this bad boy has every single cop film cliché you could find in the ‘big book of cop film clichés. The unit’s best hot-shot is a maverick that gets results, but he’s bounced off the team (because of his ill-tempered partner) by pencil pushers; another wildcard officer sees potential and puts both their careers on the line reinstating him – would you like some more platitude sauce with your hackneyed sammich sir? Not content with having a copy/paste story, every sloppy racial / cultural / actor stereotype is also present; Samuel L. is very angry-with-attitude, Renner has a short fuse, macho man Michelle Rodriguez pops up in her white vest, everything’s too familiar, right down to the ‘uncool vegan loser’ and ‘big fat black mama’ that shouts “mmmmmmmm  hhhmmmmmmm”. The action is big, loud and decent, if a little ridiculous – like a Die Hard / Michael Bay movie. It’s all so ridiculous that it couldn’t possibly be anything other than a cheesy, tongue in cheek satire of the genre?  Surprisingly enough, despite not having an ounce of originality, S.W.A.T. is super-strength, all too watchable, well-executed, cheese-tastic, guilty pleasure action material.

Score: 6/10

21 Jump street: two useless police officers are assigned to a revived ‘undercover‘ branch of the department. The film’s lucky in that it has two genres to mashup and play with – buddy cop and high school – which it does effectively, although the school element is far, far funnier. The first hour is fantastic, catches you off guard, full of well-observed school humour, and ‘random’ comedy (Korean Jesus, trippy drug scenes etc) – I almost choked at one point. It does however deflate and lose its magic in the second half as it frantically ticks all of the boxes you’d see in a bog-standard cop-buddy story arc. Jonah Hill is funny, but well within his comfort zone; Channing “is there anything he can’t do” Tatum is comedy gold – he hinted at this by being the only good thing about last year’s Dilemma, but this is a whole other level – show stealingly good. For additional smartness there’s a nice run of meta jokes about recycling ideas & humour, and loads of movie tropes – these can be found in the car chase and party scenes. With an emphasis on off-the-wall humour, and a genuinely funny script paired with some great improvisation, 21 Jump Street is a solid contender for comedy of the year.

Score: 7.5/10


IP Man (AKA Yip Man) [Blu Ray]:
partial-biogaphy of grandmaster martial artist Yip Man, as he fights to protect his town through the Japanese invasion of 1937. This is a jaw-dropping homage to the old martial arts films; choreography, subtle wire work, sound effects and filming of the action. This all peaks during a 1-on-10 fight indoors, which is action-tastic, bone-snappingly brutal and phenomenal to watch. Storywise, the film starts off amazingly with random schools of martial artist groups challenging each other to fights, but as soon as the war / Chinese history kicks in it slows the film down to a crawl. Annoyingly, there’s random leaps forward in time about every ten minutes; is it a week, month or year… we don’t know. Outdoors the BD picture great, but inside it’s very grainy – and the entire second half (invasion) looks depressingly washed-out and devoid of any colour. Films that handle the Sino-Japanese war have a tough job, and IP man succeeded nationally (although falls down internationally) in doing this; because it’s over-sentimental – but you can’t hold that against such a nationally proud, historical piece. Overall, IP Man starts with a massive bang, but the entire second half becomes a bit of a struggle, although the great action will keep you in your seat.

Score: 7/10

Space Dogs [Blu Ray]: family friendly, fast-and-loose re-telling of the Soviet space dogs Belka and Strelka, who were sent up in Sputnik 5 and became the first animals to return from space in one piece. As a grown up, this film wasn’t pitched at me – the characters are a large-headed, squeaky-voiced, constantly kinetic mixture of animals on spectacularly dazzling adventure. Needless to say, that description ticks every box on the “child entertainment requirements” checklist. Being presented by the Russian Centre of National Film and Ministry of Culture Office there’s a lot of interesting, educational national pride, history, facts and even a mini tour of the Worker and Kolkhoz Woman statue – which is quite refreshing. The Blu Ray presentation and sound are both impressive; it’s bright, colorful, detailed and sharp. Although missing the multi-generational appeal that Pixar seem to have perfected, Space Dogs looks great, has a simple “happy ever after” story and would be a neat stocking filler for young children this Christmas!

Score: 4/10


One of the only scenes with no PRODUCT PLACEMENT - EXTREME PRODUCT PLACEMENT!!!

Real Steel: in the near future professional boxers have been replaced by robots; this film follows the highs and lows of a struggling ex-boxer in this new era, and relationship with his estranged son. I’ll put it out there straight away – I loved Real Steel. Something else to note up front is that Virgin, HP, Ray Ban, Dr Pepper, Bing, X-Box 720, Wired, Sprint, Budweiser, Beats By Dre & ESPN logos (to name but a few) are shamelessly crowbarred into centre frame at every opportunity. Back to the film, there’s an equally shameless cheese-rammed story of sporting underdogs, and runaway dads, that’s quite predictable but surprisingly well-played. The action is absolutely fantastic – jaw-droppingly impressive CGI helps – especially for the fights, which are amazing to watch. More generally, the film is brilliantly shot and photographed. Jackman’s on good form, and the kid’s not too annoying – all other characters are tertiary stereotypes, like the Russian billionaire and advanced Japanese tech nerds, but they make for great baddies and push a subtle all-American vibe that’s rarely seen at the moment. It’d be easy to dismiss this as ‘Rocky with Robots’, but Real Steel landed every single punch on me; it’s such a boys film, with a classic comeback story, training montages, cool gadgets, big action, robots hitting each other, manliness, and plenty (albeit mostly unintentional) laughs. This is what big-budget movies are all about for me – story, spectacle and entertainment. It’s the most fun I’ve had in the cinema all year, can’t wait for the sequel.

Score: 8.5 /10

Spartacus Blood and tits Sand: 150% testosterone-fueled 13-part swords and sandals epic – It’s essentially what would happen if the cast of 300 violated the story and actresses of BBC‘s Rome. I’ll get the controversial stuff out of the way first. Violence, there’s literally GCI bucketloads of flying limbs, heads, blood and teeth every time someone grabs a weapon – most memorable; a gladiator cuts a dead opponent’s face off and wears it as a mask in his next fight – awesome… just awesome. Secondly, Spartacus is a celebration of Skin; it’s a conveyor belt of gratuitous Spartan chests, fake and real breasts, naked men fighting, women getting rammed, guys getting tugged off and gay gladiators bumming each other – most memorable; Lucy “Xena Warrior Princess” Lawless getting her gobstoppers out! Thirdly, the Dialogue sounds like 20 drunk sailors sat at a whiteboard and played the ‘best insult ever’ competition – some of the combinations are so imaginative and foul that they even impressed this sweary Scotsman. Controversy aside the actually story is so, so epic, and nowhere as linear or predictable as you’d expect – it twists and turns right to the last scene with endless betrayals, story developments and murders. The acting is also startlingly good given that there’s very few big names, so many characters, and everyone falls into either i) meat-head gladiators (for action) ii) sexed-up women (for skin) or iii) slimy political figures (for progressing the story). Other than a couple of slower episodes Spartacus is an absolute hit, that gets better as the series progresses: my lady even went from “this is so ridiculous” to a total convert, no mean feat for a series aimed at 15 year old boys! When the show works, it totally works – and if you can see past the gratuitous violence, skin and language – at the heart of Spartacus lies a compelling, well-written and well-executed story. Brilliant mix of drama, action and trash!

Score: 8/10

Hot Rod: a wannabe stuntman has to pull off the biggest jump in history to save his terminally ill step-dad; just so he can kick his ass and win his respect before he dies… Ace! This is one of the few comedies I’ve seen lately that remains consistently funny throughout, with too many laughs to list, and a great script’s that throws up obvious and subtle jokes. Some of the humour’s pretty silly and offbeat but works because of the deadpan delivery. The cast are great with Samberg as the standout (unfortunately the Lonely Island are unheard of in the UK). Danny McBride and his usual posse also put in some good face time, Isla Fisher‘s also on good form. The laughs slow up in the third quarter and a few of the visual gags are predictable but it’s forgivable because the retro 80s hair metal / synth music soundtrack that compliments (and compensates for some of) the humour so well. For me the entire film just worked, and the production values were great. It will get bashed by any serious movie goer but Hot Rod totally exceeded my expectations and was genuinely funny throughout. Will definitely be watching again. Cool beans!

Score: 7.5/10

Blades of Glory: started off very strongly by backgrounding the characters and fierce competition, paired with commentators on the BASEketball level of awesomeness. Unfortunately it fizzles out a little when the focus shifts off the rink and a fairly uninspired underdog / unlikely friendship story plays out. The characters definitely have their moments but they’re no Ron Burgundy or Napoleon Dynamite. Even Will Arnett couldn’t muster up many laughs, an indication of the patchy script. I’ll buy a meal to the people who made Jenna Fischer look that hot! The rest of the film relies on the innuendo of male skaters and there’s a whole load of skating stars & references throughout. Probably more for fans of the sport than Joe Public but there are some good bits scattered throughout.

Score: 5.5/10