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Tag Archives: Monica Bellucci

The Whistleblower: based on the true story of Kathryn Bolkovac, a U.N. worker that uncovered a scandal involving human trafficking, forced prostitution, bent police, and her ‘peacekeeping’ colleagues. Being a politically loaded / statement movie you can’t really miss the two main agendas: highlighting the brutal & ugly side of sex traffic, and pointing out some flaws and cover-ups of the United Nations – both noble causes, and both elements are well covered, shocking, eye-openers. The cast match the tone of the film, and Weisz in particular is shit-hot, holding up the film, and keeping it rooted in reality (she wholly de-glammed for the duration). Behind the camera, it’s no-nonsense film-making; a couple of shock moments that are done in a blunt, realistic way – not much is explicit, but the implied scenes are harder to watch - all efficiently handled. Other than the pretty rough material, and being a tad on the long side, there’s not much to complain about. The Whistleblower is a shocking exposé, and a  thriller with no ‘action set pieces’ – and whilst it’s a fantastic dramatic powerhouse, it’s definitely not a Friday night flick.

Score: 7/10

Brotherhood of the Wolf: a French knight and NATIVE AMERICAN WARRIOR (!!) investigate reportings of a murderous wolf-like beast in 1700s France. I can best describe this as a 1980s fantasy fanboy political aristocratic period dramahorror‘; with werewolves, camp comedy, bawdy action, and token European tits. Trying to cover this much ground, it’s simply far too weird and ridiculous for its own good. The acting is theatre at best, the plot is nothing short of batshit mental, there’s also lots of hammy slow mo, rubbish CGI, and a laughable bone-sword. The beautiful Monica Bellucci can’t even save this, as a tracking shot of her naked body morphs into a CGI woman-shaped mountain-scape… really!?!?! The film’s like a wholesale sized can of industrial strength WTF, focus grouped by the biggest nerds in the world – and I love geeky films.

I endured 45 minutes then skipped through the rest of the film, stopping at the action scenes only.

Alternative Plans: sat in the corner of my room – confused, angry and disoriented – bashing head against the wall, thinking why… why… why… why…

Maléna: From the writer/director of Cinema Paradiso, this nostalgia driven film is about a teenage boy’s first obsession with a lady, Monica Bellucci, who the entire town perves on & gossips about. We all remember our first unattainable crush, but this film goes little too far as we see the kid transform from casual degenerate, to voyeur, then pant-snatchng sex-pest weirdo-stalker… definitely take this with a pinch of salt! The passion and intensity of Italians really shines through in the characters, which makes is great to watch, if a little OTT, and the visuals harness the best of picturesque Italy / Sicily. The tone of the film takes a massive U-turn near the end, from sugar-coated to bleak, although it coincides with the main’s realisation about his love. In the end, as she was the focus of pretty much every scene this film is to Monica Bellucci what Volver was to Penelope Cruz, but a lot kinkier with much more nudity (unfortunately 15 minutes of skin is cut from the UK release!!). But why do directors always give her on-screen beatings?!?! The cinematography, Bellucci and accompanying score were the only real stars of this.

Score: 4.5/10

Doberman: follows cops, robbers, bent cops and transvestites entangled in a feud & bank robbery – although there’s only a few minutes spent in the bank. The film has a strange, over-exposed and grainy, look but remains slick and stylish throughout. There’s a ton of hyper violence culminating in the world’s worst facepalm, but it’s all pretty surreal as it’s based on a pulp comic. The script’s just as brutal and not very PC, mainly due to the transvestite / gay / fetish characters and general eccentric stereotypes. Also, what is it with directors treating Monica Belluci so roughly? Unfortunately, it lacks the depth, substance and story of similarly styled Besson / Tarantino films. Definitely a visual treat, but it’s a bit of a no-brainer and stays in-your-face from the very first frame. Style over substance.

Score: 6/10

Shoot ‘em up: bit of a let down, especially after reading a load of reviews saying how mental / violent / bloody / gorey it was (and that it was the most fake blood used in a film ever!). So I sat through the whole film waiting for the mother of all gunfights… but it never kicked off! Clive Owen is once again cast to play another gritty hard man, he must be getting bored of doing these roles. Overall it’s a ridiculous over-the-top action-fest of a film, with little plot and awful one-liners. More watchable than Crank, but Clive Owen and Paul Giamatti are definitely better than this!

Score: 5/10