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Dumb and Dumber: slapstick, gross-out, knockabout comedy about two terminally stupid friends crossing America to return a briefcase to the rightful owner. The film delivers as a comedy by setting the gag-gun to rapid fire, covering everything from black comedy, actual toilet humour, the absurd, ridiculous and Carrey’s brand of physical rubber-facery. Re-watching as an adult, it’s also surprisingly perverse and dark, with lines like “split you like an old piece of firewood”, “Rapists’ wit”, and Lloyd Christmas perversely listening to people getting nasty in the next room. Considering he’s acting alongside a out-and-out comedian Daniels isn’t overshadowed, with some fantastic comedy delivery/timing – which isn’t easy when the characters are this stupid. The Farrelly’s do a top job at making this all kind of fit together coherently, and the film’s topped off with a decent indie-rock soundtrack. ‘Silly’ doesn’t begin to describe how stupid Dumb and Dumber is, and despite being 1990s to the core it is still genuinely funny, and full of so many quotable lines (and fond memories for anyone that watched it over and over on VHS!!). A true comedy great.

Score: 7/10

we've got no food... we've got no jobs... our pets heads are falling off!!

Traitor: An Ex U.S. Military bomb expert gets entangled with some Islamic radicals and ends up in a terror plot. I hadn’t even heard of this as it probably got swamped under by the glut of newfangled middle-eastern war & drama flicks. This begins in Yemen and the first 30 minutes is dedicated to unraveling the enigmatic main character – pretty much the crux of the whole film. After a short ‘Arabs in Jail’ section the pot focuses on acts of terrorism in France and America. Other than some heightened drama towards the end the film juggles the old civil liberties Vs greater good dilemma, what it is to be a Muslim following the Qur’an today, and painting an accurate picture of terrorist activities in the Western world. Don Cheadle holds his own well as the only main but really just has to look solemn or the most part. Guy Pearce could have been anyone, playing the stereotypical “hot on the heels” cop. Ditto Jeff Daniels in his role. The film looks pretty good and has a few memorable scenes but just doesn’t really grab you; how do you connect with a guy who’s BFF is an extremist and is plotting to kill innocent people? Hyper topical terrorist thriller that you should only check out if you like this type of film.

Score: 4/10

The Lookout: a brain-damaged guy gets taken advantage of because of his part-time job in a bank. Not just any bank though, the lamest bank in history with huge windows, a remote location and high-risk employees! The natural dialogue made everyone seem quite normal and believable, with the exception of ‘Bone’, who looked like a tardy Agent Smith from the Matrix. Both Levitt and Daniels do a fairly decent job with their difficult characters. The Vigilante memory loss section at the end is when the film really kicks in to gear (like a ‘Diet Memento’) but was too little too late for me, and the action scenes aren’t well-edited. It’s an OK film but with lots of dubious aspects: like how despite causing a fatal car crash, and having brain damage, Chris Pratt is allowed to drive!? The only thing the film really taught me was that money is power… pretty deep stuff.

Score: 5/10

Away We Go: indie-feeling (but big-budget) love and road flick about a mid-30s ‘loser’ couple that are soon to be parents, in search of the perfect place for their kid to grow up in. While it doesn’t sound like much, there are two things that won me over: the fantastic script and the excellent blend of comedy, drama and offbeat characters. The acting’s of a pretty high standard, tugging at the heart-strings a few times. There’s some genuinely funny slapstick scenes but some of the more subtle lines delivered the biggest belly laughs. A couple of questions could be asked – like how can they afford their trip – but the only big flaw is that I’ll never see Maggie Gylenghall as the saucy secretary again. The ending feels a tad premature, but it’s a damn good story nonetheless. Definitely worth a watch.

Score: 8/10