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Tag Archives: hand… ouch!

Fulltime Killer: A couple of hitmen, ‘O’ and ‘Tok’, become intertwined in a battle to prove who is the best in Asia. Turns in to a bit of a ‘two hitmen and a cleaner’ story, and while the lady was central to the story, the film would have been much more exciting and faster-paced without all of the terrible characterisation scenes she facilitated. The narrator changes between the 2 killers for the most part, then a random crazy policeman towards the end – bizarre. There’s some very cool action & shootouts and it’s visually sumptuous in parts, although nothing’s really that memorable. Andy Lau’s the standout as the cocksure shoot-form-the-hip dangerman. While this film’s decent enough it never really takes off of goes into top gear, even with its Metal Slug inspired ending. For those that enjoy style over substance, this one’s ideal.

Score: 6/10

Doomsday: Sci-fi action following a hot police babe (Mitra) as she searches post-apocalyptic Scotland for a virus cure. Anything with a pulse is blown up or gunned down in extreme fashion; from axes to the face, tanks rolling over bodies and rabbits being shot to pieces, Doomsday has the bloody quota well and truly covered splattered! Marshal does well with the action here, from a girly sword-fight between two models to a car chase, it’s all handled like a pro. Brilliant vision of a ruined Scotland – tongue in cheek but totally tribal and well realised right down to the little touches like an “out of fucking service” bus sign. The Scottish (& South African) highland scenery is magificent, with a lot of swooping shots of hills, glens and castles!  The strong homegrown cast are also great, with nobody letting the team down. The only thing that this film’s weak on is originality. Whilst it’s not all bad it borrows from a catalogue of classic sci-fi/horror films from Escape from NY to Omega Man, to Resident Evil and everything in between. It’s a good fun splatter-fest that doesn’t take itself too seriously (Two tribes go to war) yet still ticks all the boxes. Definitely worth checking out!

Score: 7/10

The Fox Family: bear with me here… it’s a comedy musical about 4 foxes trapped in people’s bodies that need to find live human livers to eat at a specific time in order to become fully human, they also run a circus; makes sense? Because it’s Korean and weird the style is characteristically slapstick, raunchy, gory and camper than a row of tents. The ‘musical’ element is overplayed with only a handful of songs, none of which are catchy. There are some good jokes and memorable scenes like lapdancing on a subway carriage, sexy noodle montage and tramps / riot police / activists bursting into dance but you kind of get the feeling the story and music were written in one big (stoned) session and nobody bothered to check it afterwards. Unfortunately this ‘unique’ idea ends up being mediocre so for birazzo Asian musicals, best stick to the ‘Happiness of the Katakuris’

4.5/10

Vicky Christina Barcelona: Two girls visit Spain for the summer and get more than they bargained for. Being a Woody Allen film it’s all a bit fruity, especially once the characters become more involved with each other. The relationships and scenarios are pretty grounded and it even gets a bit heavy at times, throwing up questions regarding relationships, morals, love & adultery. The characters are the biggest part of the film and they’re all fairly memorable, either through their looks (Johansson), performance (Hall) or both (Bardem & Cruz!). With the best lines and more conviction the Spanish home team overshadow their visitors. The narrator is a nice touch – and Classic Allen – although he points out the obvious quite a lot, which is annoying… but not nearly as much as Scarlett’s character who walks around photographing everything like a total dickhead. Allen’s definitely found some form in the late naughties, I just hope it continues. Sexy, funny rom-com.

Score: 6.5/10

Watchmen: (Blu Ray) A gang of retired vigilantes squeeze back into their costumes to figure out who’s trying to kill them off. The story itself is a near perfect blend of action and dystopian Noir mystery, although it’s no Sin City rip off. Picture and surround sound are both absolutely stunning and could easily be used as test/demo material. All aspects of the visuals are totally slick, and bone-splitting graphic violence has never looked this good. The run time may put some off, at 2:45, but it’s all about the characters past and present. A few streaks of hardcore physics to melt your mind, and older viewers will remember the constant fear of a potential nuclear holocaust. On a downside the soundtrack’s very dominating, trendy and generic for such an original story, and it’s never good seeing a huge blue wang, ever. Haven’t read the graphic novel so can’t compare them, but as a stand alone film this is certainly a great achievement. Plain awesome viewing.

Score: 8/10

A Bittersweet Life: follows a loyal and solitary badass as one mistake throws his life into bedlam. My favourite aspect of this film is how almost every single shot reveals something new about the story or a character, adding depth with unmistakably brilliant direction. The entire cast are great, the main in particular is nothing short of fantastic. The long fight scene is one of the best, and most emotive of any I’ve seen, and all of the action set pieces are choreographed and pulled off effortlessly: although the violence may be rough for some. Comically dumb gangsters provide just enough humour to ensure that the film doesn’t become overbearing and no Asian movie would be complete without some generic ancient proverbs about pride, honour, tradition and morals. This film looks great and is stylish to the max – just like the characters. Unfortunately, this is often compared to Oldboy and although they share some themes, A Bittersweet Life can most definitely speak itself. Korean Masterpiece.

Score: 8.5/10