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Hobo with a Shotgun [Blu Ray]: tells the tale of an individual with no permanent residence, and his acquisition of a short-range firearm… Duh! Being born the same way as Machete, I had some reservations before starting this – but they were short-lived. EVERYTHING about this film is an authentic ode to the horror/exploitation ‘masterpieces’ I grew up watching from the 70s and 80s. The setting is a dystopian, lawless town, so rotten that only the eponymous anti-hero can clean it up with a shotgun. There’s fantastic gore every 5 minutes, and all kinds of insane and outrageous blood-soaked SFX. The story is so absurd and OTT that you simply can’t begin taking seriously. – it’s essentially a cheap vehicle used to maximise the blood ‘n’ guts factor. Rutger Hauer is a little too good for this type of film, fleshing out an emotional, solid central character. Abby also makes a good scream queen, and the rest of the cast are enjoyable stereotypes. The colour pallet is very saturated; bright and poppy, the blood leaps off the screen – Hauer’s face was also what BD was made for; the faithfully recreated Carpenter-esque 80s sci-fi horror synth soundtrack and gunshots pump out of all speakers – this is worth the Blu Ray upgrade if the film sounds like your bag. All in all, the video, music, plot, gore, sleaze and nastiness all combine to make this feel like an authentic retro film – unlike the one crappy video-grain effect used on Machete. This beat every expectation I had, and while it’s no cinematic masterpiece, it’s certainly an absolute must-see for all horror/B-movie/retro movie fans.

Score: 8/10


Newsmakers: When Moscow police are left looking weak a hot-shot PR chick turns their next operation in to a media circus live feed news event. The synopsis sounded familiar, but about 5 minutes in I knew I’d definitely seen this before… What starts off with homage feel to Breaking News soon digresses into a scene for scene re-make that doesn’t shake off the lethargic pacing, bizarre minor characters or sushi lunch of the original – although it does leave out the farting! Being Russian, the subtitles are beyond dubious – favourite line was “what the devil are they doing” – also, this is supposed to be about cutting edge technology but still uses classic rhetoric like Virtual hyperspace, “multimedia technology” and “information war” – GROAN!! The action however is still pretty sweet, particularly the opening quality gunfight and car-flipping chase scene. Bottom line; Newsmakers isn’t a bad stand-alone film, but when you’ve seen the original it’s a needless carbon copy with less style and flare, poorer direction, and additional to say. Made me feel like I’d been a bit too harsh on the original – which I’d probably bump up a full mark now.

Score: 4/10

Spartacus Blood and tits Sand: 150% testosterone-fueled 13-part swords and sandals epic – It’s essentially what would happen if the cast of 300 violated the story and actresses of BBC‘s Rome. I’ll get the controversial stuff out of the way first. Violence, there’s literally GCI bucketloads of flying limbs, heads, blood and teeth every time someone grabs a weapon – most memorable; a gladiator cuts a dead opponent’s face off and wears it as a mask in his next fight – awesome… just awesome. Secondly, Spartacus is a celebration of Skin; it’s a conveyor belt of gratuitous Spartan chests, fake and real breasts, naked men fighting, women getting rammed, guys getting tugged off and gay gladiators bumming each other – most memorable; Lucy “Xena Warrior Princess” Lawless getting her gobstoppers out! Thirdly, the Dialogue sounds like 20 drunk sailors sat at a whiteboard and played the ‘best insult ever’ competition – some of the combinations are so imaginative and foul that they even impressed this sweary Scotsman. Controversy aside the actually story is so, so epic, and nowhere as linear or predictable as you’d expect – it twists and turns right to the last scene with endless betrayals, story developments and murders. The acting is also startlingly good given that there’s very few big names, so many characters, and everyone falls into either i) meat-head gladiators (for action) ii) sexed-up women (for skin) or iii) slimy political figures (for progressing the story). Other than a couple of slower episodes Spartacus is an absolute hit, that gets better as the series progresses: my lady even went from “this is so ridiculous” to a total convert, no mean feat for a series aimed at 15 year old boys! When the show works, it totally works – and if you can see past the gratuitous violence, skin and language – at the heart of Spartacus lies a compelling, well-written and well-executed story. Brilliant mix of drama, action and trash!

Score: 8/10

Drag Me To Hell: An everywoman accidentally insults a gypsy – cue an ancient curse and impending doom for our gal. The five minute prologue is totally old school; OTT music, effects and a huge-ass demon. Fortunately, the entire film stays in this vein, and what I liked best was that while there is the odd big jump the rest of the frights come from good old-fashioned sources; wind, leaves, squeaks and creaks – no wet long-haired lizard women rattling down staircases or other such gimmicks. While it’s Genuinely terrifying this also has some subtly funny motifs like the face-fucking/hair-grabbing corpse, funeral, Goat, Dancing Ghost and even the ridiculous gross outs. There’s the best use of a stapler & ruler I’ve ever seen and a pretty sweet, but obvious, ending. Raimi’s direction is great, really proving he’s a pro by milking every drop of suspense and terror, yet making it fun and watchable – all while he’s pretty much parodying an entire genre. Drag Me to Hell effortlessly walks the line between comedy-stire and terror and I’ve not enjoyed a horror film this much in years. Classic Raimi. Classic horror. Instant Classic, just add blood.

Score: 8/10

The Good, The Bad, The Weird: Set in the 1930s, a bounty hunter, most-wanted criminal and petty thief are all after the same ancient treasure map. This flick has it all: style, action, plot, rivalry, twists, adventure, suspense, guns, huge sets, humour and explosions. Most of all, it’s actually great fun to watch, with the exception of a few short ‘meh’ sections and one psychedelic scene – the rest is all killer. The whole story, but most notably the final  scenes are brilliantly executed classic Western. The Bad and Weird characters are great to watch, and the director‘s on good form. Definitely a bit more of a bloodbath than you’d expect from an upbeat film like this with scarlet, limbs and fingers flying all over the place. The audio track really comes alive during the action scenes and there’s a nice nod to Tarrantino with an epic song choice for the huge chase scene. There’s also a nice bit of Korean history thrown in the mix. Overall, it’s an amazing film from a director with a great track record, and another brilliant example of why Korea is one of the best countries as far as movie exports go.

Score 8.5/10

Sukiyaki Western Django: Takashi Miike’s Japanese take on the spaghetti western & samurai films of yesteryear. Most confusingly all dialogue is English, but it still requires subs because the Japanese actors (naturally) struggle to deliver the Americanized lines – everyone’s acting totally suffers because of this huge distraction. All of the action is good to watch, from the quick draws through to Gatling Gun mayhem and the action-packed showdown is pretty immense. The gang costumes are flamboyant and seeing the red & white colours constantly jumping out is a real treat on the eyes. Miike does a fantastic job of keeping it stylish throughout, whilst minimising his trademark ‘weirdness’ – although the sheriff character was truly pants. You can’t help but think that if he focused on perfecting one or two films a year instead of 5-6 he’d be one of the best directors on the planet. Overall there’s no denying this is a bunch of tried themes, concepts and characters tied neatly together and packaged as homage. Still, this one’s worth a watch if you like foreign and offbeat movies.

Score: 6/10

The Fox Family: bear with me here… it’s a comedy musical about 4 foxes trapped in people’s bodies that need to find live human livers to eat at a specific time in order to become fully human, they also run a circus; makes sense? Because it’s Korean and weird the style is characteristically slapstick, raunchy, gory and camper than a row of tents. The ‘musical’ element is overplayed with only a handful of songs, none of which are catchy. There are some good jokes and memorable scenes like lapdancing on a subway carriage, sexy noodle montage and tramps / riot police / activists bursting into dance but you kind of get the feeling the story and music were written in one big (stoned) session and nobody bothered to check it afterwards. Unfortunately this ‘unique’ idea ends up being mediocre so for birazzo Asian musicals, best stick to the ‘Happiness of the Katakuris’

4.5/10

Versus: a criminal and mystic are hunted down by yakuza, who are being chased by zombies! How do you make a film with more action than the matrix? Easy, just add gallons of blood, swords, knifes, massive guns, a ton of zombies and have as many fights as you can get away with. It’s (surprisingly) directed by the same guy that did Midnight Meat Train, but don’t hold that against him as this a good effort. He did well with a low-budget: the effects very gory and good, the sound’s not bad despite being re-dubbed in a studio and the camerawork’s admirable, although 360 shots are overused. The story’s pretty thin, and the ‘big twist’ is so bad it’s good. Some of the dialogue and action is very corny, making it feel like a live-action manga adaptation. Quite looking forward to the re-make/sequel that’s being rumored at the moment. Ridiculously OTT live-action-packed ultra-stylish no-brainer hack-fest of a cult zombie flick.

Score: 6.5/10

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